All posts by Katie Arthur

The Dark Theatre: A Book About Loss

by Professor Alan Read

In the 1980s Alan was director of Rotherhithe Theatre Workshop, a neighbourhood theatre based in the Docklands area of South East London, in the 1990s he worked as a freelance writer in Barcelona and was Director of Talks at the Institute of Contemporary Arts in London, and from 1997-2006 he was Professor of Theatre at Roehampton University where he directed a five year AHRC research funded programme on performance, architecture and location exploring theatre and public ceremonial in rational housing blocks and council estates.

The Dark Theatre was written as a critical response to my first book Theatre & Everyday Life (Routledge, 1993). This book mimicks the ambitions and two-part structure of that earlier work but takes stock of the intervening quarter-century turn towards financialization and precarity in Western Europe, exploring a ‘general economy of performance’ by way of response to these capitalized conditions. The Dark Theatre is not an updating of the source work but instead engages with questions of community, ecology, and what I call ‘cultural cruelty’ as evidenced in practices ranging from theatrical acts to legal processes.

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COVID-19: 3 Poems that Can be a Source of Inspiration During Uncertain Times

by Nura Haji

Nura Haji is an undergraduate student studying at King’s. Here Nura reflects on the power of poetry in times of uncertainty.

There is something exciting about the build up towards the beginning of summer. Year in, year out, we are teased by the burst shots of a fast approaching spring, with strokes of sunlight and the return of longer days formerly stolen by winter.

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On dissent; or, learning how to say no

by Pavan Mano

PhD candidate Pavan Mano explores how the seeming reticence of Singapore’s biggest queer movement to openly challenge the status-quo is in fact its key organising strength.

Singapore can be a strange country in many ways. And one of those ways is how it projects an image of a modern, forward-looking metropolis whilst remaining home to a backward (albeit unenforced) law in the form of Section 377A – a legislative hangover from British coloniality – that criminalizes sex between men. Section 377A isn’t an anomaly in the Singaporean landscape – it’s merely the most visible symptom of the primacy of place that heterosexuality retains in the country. Which, amongst other things, means that there’s plenty of work for queer movements to do in terms of advocacy and activism. And one of these movements is Pink Dot.

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Jerome Caja’s ‘Cosmetic Miracles’ and ‘Post-Apocalyptic’ Drag in 1990s San Francisco

To celebrate the launch of the new Queer@King’s goes to Church series, in collaboration with KCL Chaplaincy, Victoria Carroll reflects on the sacrilegious artwork and drag performance of Jerome Caja (pronounced Chi-a), an important figure in the queer arts scene that flourished in early 1990s San Francisco.

Jerome Caja, The Last Hand Job (1993). Collection Anna van der Muelen.

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Queering the obscene: how the archives shaped my PhD

From books banned in Boston to films cut in Maryland: in the summer of 2019 PhD candidate Katie Arthur visited five archives in four US states to grapple with questions of queerness and obscenity in the censorship cases of author William S. Burroughs and filmmaker John Waters.

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