by Professor Alan Read
In the 1980s Alan was director of Rotherhithe Theatre Workshop, a neighbourhood theatre based in the Docklands area of South East London, in the 1990s he worked as a freelance writer in Barcelona and was Director of Talks at the Institute of Contemporary Arts in London, and from 1997-2006 he was Professor of Theatre at Roehampton University where he directed a five year AHRC research funded programme on performance, architecture and location exploring theatre and public ceremonial in rational housing blocks and council estates.
The Dark Theatre was written as a critical response to my first book Theatre & Everyday Life (Routledge, 1993). This book mimicks the ambitions and two-part structure of that earlier work but takes stock of the intervening quarter-century turn towards financialization and precarity in Western Europe, exploring a ‘general economy of performance’ by way of response to these capitalized conditions. The Dark Theatre is not an updating of the source work but instead engages with questions of community, ecology, and what I call ‘cultural cruelty’ as evidenced in practices ranging from theatrical acts to legal processes.
Continue reading The Dark Theatre: A Book About Loss
by Imogen Free
Imogen Free is a first year PhD student at King’s College London, researching modernist women’s writing, sound technology and the politics of aurality (1930-1956).
One note held her ears through the hollow thunder of traffic: in shells of buildings the whirr of unanswered telephones. They were insistent
Elizabeth Bowen, To the North
In these ‘unprecedented’ times, I’ve been surprised to discover how much I’ve missed the postgraduate research community at King’s. I miss the distinctly un-academic chatter in our research room, sharing coffee with my supervisor, and the strange charm of the floppy triangles of sandwich, with beige fillings of unidentifiable flavour and lukewarm, headache-inducing wine after conferences. Sandwiches aside, it’s been a period in which we’ve been reflecting on how our institutions can support their students and staff and it’s been a lonely, uncertain, distressing time for many reasons other than the pandemic. But I have also been fortunate enough to participate in some of the changes the research community have had to make in order to stay in contact and find modes of communion with one another, as we become ever more reliant on the medium of telecommunication.
Continue reading Techno-heartache: Reflections on the Telepoetics Symposium
by Brian Murray, Senior Lecturer in Nineteenth-Century Literature, King’s College London
The toppling of the statue of slave trader and MP Edward Colston during a Black Lives Matter demonstration in Bristol on 7th June has led to a predictable wave of outrage at the ‘erasure of history’. But what kinds of history might a statue be said to embody or project? The Colston statue was 125 years old. But it is also an idealised late-Victorian representation of seventeenth-century subject (unveiled 174 years after Colston’s death). What did Colston mean to Bristolians in 1895? Contemporary reports of the statue’s erection in the Bristol Mercury – accessed via the British Library Newspapers database – offer a glimpse of the new monument at its first unveiling.
Continue reading Erasing History? Colston in Bristol
by Nura Haji
Nura Haji is an undergraduate student studying at King’s. Here Nura reflects on the power of poetry in times of uncertainty.
There is something exciting about the build up towards the beginning of summer. Year in, year out, we are teased by the burst shots of a fast approaching spring, with strokes of sunlight and the return of longer days formerly stolen by winter.
Continue reading COVID-19: 3 Poems that Can be a Source of Inspiration During Uncertain Times