Culture, Text and History, Early Modern and Shakespeare, Insights, Life writing, Creative writing and Performance

Shakespeare in the Royal Collection. Shakespeare’s Second Folio.

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Sally Barnden, in conversation with Emma Stuart, explores Shakespeare’s Second Folio, which was in possession of Charles I during his imprisonment.

One of the most prized objects in the Royal Collection is a ‘Second Folio’ edition of Shakespeare’s plays, first published in 1632. It contains handwritten annotations made by the deposed King Charles I in the final days before his execution on the orders of Parliament, during the English Civil War.

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Culture, Text and History, Insights

Virginia Woolf – A Room of One’s Own (22 Kingsway) … the English Department … Mental Health Awareness …

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By Graham Fifoot (editor)

At 22 Kingsway, a life-sized Virginia Woolf wax work is exhibited inside a room of her own in the foyer of the Virginia Woolf King’s College London building. Eleanor Crook’s wax work creation is dressed in clothing modelled after the dress, shawl and hat that Woolf famously wore in a 1923 photograph taken by Lady Ottoline Morell.

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Insights, Life writing, Creative writing and Performance

INTERVIEW: KCL Professor of Poetry Ruth Padel on mythology, restoration and ‘Daughters of the Labyrinth’

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As part of the interview series Writers on Research, Joe Bedford speaks to KCL Professor of Poetry Ruth Padel about the research process behind her new book Daughters of the Labyrinth released on 1/7/21.

 

https://joebedford.co.uk/ruth-padel/

 

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Insights, Life writing, Creative writing and Performance, Modernism

Reflecting on This Year’s Ivan Juritz Prize

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By Imogen Free

Nick Makoha’s ‘A Low-Pressure System’ moves through the past towards mythology; it is a personal journal that resists any fixity, but instead is a series, as Ivan Juritz Prize judge, Will Eaves notes, ‘perpetually in flight’. This retelling of the events related to the Entebbe hijacking in 1976 is paralleled against a series of flights from Nick’s own experience, and despite writing through dramatic historical events, his moving voice can be felt strongly throughout. This became particularly evident when listening to him read from Codex 2 during our prizegiving event at the end of June. Codex 2 is a poem about his father’s personal and political life; reading from it, we saw him half-smile as he came to the last line: ‘I had a small nonspeaking part’.

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