The Department of English welcomes applications for an hourly-paid teaching opportunity for the second semester of 2022/23.
The Department of English welcomes applications for an hourly-paid teaching opportunity in American Literature for the second semester of 2022/23.
By Ahmed Honeini
KCL alumnus Dr Ahmed Honeini discusses his formative experience first reading William Faulkner ten years ago, alongside the state of Faulkner Studies in the UK today.
In F. Scott Fitzgerald’s The Great Gatsby, James Gatz, “a penniless young man without a past,” finds himself in the house of his love Daisy Fay “by a colossal accident.” The Great Gatsby has been one of my favourite books since high school. In 2012, as a second-year English with Film Studies undergraduate at King’s College London, I took the module “Twentieth Century American Fiction, 1900-1945: Realisms and Modernisms” for the sole purpose of rereading and studying Fitzgerald’s masterwork at university level. I am ashamed to admit that I did not have much of an interest in American literature at that point; aside from Fitzgerald, my literary infatuations at the time were early modern drama and European modernism. However, on that same American fiction module, I discovered the work of William Faulkner, and specifically his 1929 novel The Sound and the Fury, “a colossal accident” which was to change the course of my professional and personal life.
By James Baxter
Written by London-based independent scholar James Baxter, Samuel Beckett’s Legacies in American Fiction: Problems in Postmodernism was published by Palgrave Macmillan in December 2021, as part of their series ‘New Interpretations of Beckett in the Twenty First Century.’
What drew you to this subject?
At the outset, I think it was an intuited connection between a lot of the fiction that I was reading and enjoying at the time; Beckett of course, but also American writers like Donald Barthelme, Robert Coover, Thomas Pynchon, etc. A lot of headache-inducing postmodern stuff. While there is certainly no shortage of scholarship on Beckett’s relation to the more theoretical body of postmodernism, I was quite struck by the absence of any sustained work on literary postmodernism and the way Beckett skewers the work of periodisation by serving as an end but also a beginning for this new paradigm (not unlike the kind of stalled narrative sequences that a reader encounters in his mid-century Trilogy).
By Jane Elliott
The Korean TV drama Squid Game is Netflix’s most popular show ever, having reached the number one spot in ninety countries. It tells the story of a diverse group of characters, all heavily in debt, who agree to compete in a series of traditional children’s games with untraditional stakes: losers are killed and the final survivor takes the entire jackpot. Continue reading Red Light, Green Light