By Jane Elliott
The Korean TV drama Squid Game is Netflix’s most popular show ever, having reached the number one spot in ninety countries. It tells the story of a diverse group of characters, all heavily in debt, who agree to compete in a series of traditional children’s games with untraditional stakes: losers are killed and the final survivor takes the entire jackpot. Continue reading Red Light, Green Light
By Goh Wei Hao
Written during a different time, when the world was consumed by another virus, the themes of The Normal Heart remain extraordinarily relevant in today’s world.
The play is set in New York City, and takes place over a span four years in the 1980s — during the early days of the HIV epidemic when the virus did not yet have a name. It is centred around the writer Ned Weeks and the gay health advocacy group that he helped to establish along with closeted banker Bruce Niles, the free love advocate Mickey Marcus, and the self-described “Southern bitch,” Tommy Boatwright. Also part of this ragtag group is Dr Emma Brookner who pushes the group to campaign harder for their voices and her advice to be heard by the community.
After watching the 2021-revival of Larry Kramer’s largely autobiographical play, a question lingers in my mind: What does it mean to be a moral gay man?
Continue reading ‘The Normal Heart’ and the Morality of Being Gay
By Pavan Mano
Common sense is an interesting thing. Particularly in those not infrequent moments when it becomes clear that it isn’t, in fact, all that commonly distributed and, quite often, doesn’t actually make very much sense. These moments offer an opportunity – even if quite often missed – to unwind, untangle, and unmake some of these articulations of common sense – hopefully in favour of something better. This is one such moment. After all, “pandemics have forced humans to break with the past and imagine their world anew” (Roy 2020). We’ve been forced, collectively, to confront the question of care and the various conditions under which it’s extended to different degrees, to particular categories of people, in particular circumstances, and so on – the contingencies of care, in other words. In the face of the conspicuous insufficiencies that have been brutally exposed over the course of the past year and a half, it would be awfully remiss of us to eschew reimagining how our world and societies are arranged and organized.
Continue reading 17 days of June: on COVID-19, prescriptions and proscriptions, and the contingencies of care
PhD student George Oliver shares an extract from a short-listed creative writing piece that speculates on the criminalisation of public creative expression…
Continue reading NewThink: What would happen if we criminalised creative expression?
by Sylvia Solakidi
In this blog, King’s graduate Sylvia Solakidi explores the role of betrayal in the quest for love and knowledge in Connie Palmen’s novel about the contentious romance of Ted Hughes and Sylvia Plath.
Continue reading “And I said that, I”: Connie Palmen’s novel Your Story, My Story