By Louise Usher
During my creative writing MA, we were given a writing prompt, encouraging us to take a seat in a coffee shop and write what we could hear. The piece that followed from my mind gave me reason to believe that sounds are subjective. Not only am I hearing impaired, since my mastoidectomy in the year 2000, but an active imagination saw me writing stories within the coffee shop sounds.
Continue reading Sipping in London
By George Kowalik (editor)
I sat down with Nick Makoha, second year PhD student in the English department here at King’s. We mainly talked about Nick’s work with the Obsidian Foundation, but also moved on to his creative work generally. Below is a transcript of our discussion of the Obsidian Foundation. See the attached audio file for the full interview…
Continue reading “attracting black poets and increasing the volume of those that are seen in the world”: An Interview with Nick Makoha on the Obsidian Foundation
By Imogen Free
Nick Makoha’s ‘A Low-Pressure System’ moves through the past towards mythology; it is a personal journal that resists any fixity, but instead is a series, as Ivan Juritz Prize judge, Will Eaves notes, ‘perpetually in flight’. This retelling of the events related to the Entebbe hijacking in 1976 is paralleled against a series of flights from Nick’s own experience, and despite writing through dramatic historical events, his moving voice can be felt strongly throughout. This became particularly evident when listening to him read from Codex 2 during our prizegiving event at the end of June. Codex 2 is a poem about his father’s personal and political life; reading from it, we saw him half-smile as he came to the last line: ‘I had a small nonspeaking part’.
Continue reading Reflecting on This Year’s Ivan Juritz Prize
A short story and illustration by Lee Jia-An
“This story is influenced by my reading of Borges, whose works I’ve been researching for my dissertation. I’m interested in the idea of mirrors and repetition in Borges’s short stories and how repetition is indicative of the Eternal Return. This short story is about repetition and how the secrets that we keep hidden from the gaze and the mirror are still echoes of each other. One day, we’ll have to bury them and leave them behind.”
Continue reading The Fourth Floor: A Short Story
PhD student George Oliver shares an extract from a short-listed creative writing piece that speculates on the criminalisation of public creative expression…
Continue reading NewThink: What would happen if we criminalised creative expression?