by Rabia Kapoor, 2nd year English Literature and Language BA. Featured image via craftybua instagram.
I keep thinking about the soap dish. In Shoreditch, London, during this design festival that my mum took our entire parade to: people I’d met maybe twice in my life coming together for my week-long farewell non-party.
My parents had come to London with me to help me settle in before university started. It was a group of three that kept getting bigger as my parents pulled in all their friends in the vicinity to be a part of the goodbyes. Maybe it was a weird coping mechanism, I don’t know, I didn’t overthink it then. Continue reading The soap dish homesick syndrome→
Following the successful launch of The Still Point Issue 2, we speak with Mariam Zarif, editor-in-chief 2017-2018, about the new team’s vision for the journal. Mariam is a PhD researcher in the Department of English at King’s, writing on New Woman male writers as ‘transvestities’ and the politics of cross dressing in the fin de siècle. She heads up an editorial team composed of PhD researchers at King’s, UCL, Queen Mary, and the School of Advanced Study.
KE: Could you tell us a bit about The Still Point and how it was originally conceptualised? How is it different from other literary journals?
MZ: The Still Point is a medium that celebrates creative and innovative writing and research experiences. Founded by King’s English PhD researcher Francesca Brooks in 2015, the journal was designed to offer research students a space of ‘one’s own’, where they can reflect on their research experiences. Continue reading Interview: The Still Point→
By Dr Alvin Eng Hui Lim, department alumnus and postdoctoral fellow at the National University of Singapore.
I’m on a British Airways flight from Changi airport, Singapore to Heathrow, London. The cabin crew, a mix of ethnicities, leaves me alone after the initial smiles and courtesies with the inflight entertainment, only punctuating my viewing experience a couple of times to serve me microwaved food – mostly chicken, or vaguely tasting like it.
I’m at Heathrow. A Chinese custom officer chides me in impeccable English for not completing the landing card before I join the queue. I do as told, and my voice struggles to complete a sentence when another custom officer addresses me and stamps my passport.
“What are you here for? What are you studying?”
“PhD. Theatre. At King’s College London.”
Maybe it is my face and how I sound. An inner joke seems to flash across his face as it changes. I am free to go.
February 13-14th saw the launch of a festival celebrating 400 years of Shakespeare’s legacy. King’s College London are part of this year-long series of cultural events called Shakespeare 400.
In this video director of the London Shakespeare Centre, Professor Gordon McMullan and English department scholars Dr Emma Whipday and Dr Elizabeth Scott-Baumann talk about the festival and their involvement.
By Alan Read, Professor of Theatre, Director Performance Foundation
22 Kingsway: This is Your Life tells the remarkable story of the site for which the English and Comparative Literature Department is the current sitting tenant. Conceived by the theatre makers Forster & Heighes in collaboration with the Performance Foundation and 20th Century Magazine, and generously supported by the KCL Principal’s Fund, our intention was to trace the hidden history of a building that to the outside eye would appear to have little to say. As we discovered, nothing could be further from the truth. Some buildings are silent, some speak, this one, despite its mute modernism, sings. Continue reading 22 Kingsway: This is Your Life→
By Catriona Livingstone, PhD student in English Literature.
One of KCL’s most famous alumni has returned to the college, taking up ‘a room of her own’ in the lobby of the building named in her honour.
‘Wax Virginia’, a work by sculptor Eleanor Crook, was unveiled – or ‘unleashed’ – on Wednesday evening, at an exciting event organised by Professor Clare Brant, co-director of the Centre for Life-Writing Research at King’s, and well-attended by staff, students, and other Woolfish enthusiasts. The sculpture is the result of over 120 hours of work and careful research – Crook studied photographs of Woolf in order to trace the changes in her face over time and to select the particular moment – and emotion – which she wanted her sculpture of Woolf to occupy. Continue reading Wax Virginia→
From the Department of English at King's College London