Category Archives: Interviews

Ideologies of Integration and Exclusion in the Neoliberal University: An interview with Dr. Christine Okoth

By Harriet Thompson and Christine Okoth in conversation

Dr. Christine Okoth

Christine received her PhD from King’s in November 2018 and is now a Research Fellow in the English Department at the University of Warwick. Christine’s supervisors at King’s College London were Jane Elliott and John Howard. Her PhD was examined by Nicole King (Goldsmiths) and Celeste-Marie Bernier (Edinburgh).  As part of the Leverhulme funded project ‘World Literature and Commodity Frontiers: The Ecology of the ‘long’ 20th Century’ run by Mike Niblett (Warwick) and Chris Campbell (Exeter), Christine is writing a monograph tentatively entitled The Novel of Extraction.

Harriet is a PhD student in the English department and co-editor of the King’s English blog.

Harriet Thompson (HT): I wanted to start by congratulating you on completing your PhD last year. The catalyst for our conversation was the news that you’ve recently been awarded one of only six Elsevier Outstanding PhD Thesis Prizes granted at King’s in January 2019, and the only award granted to a thesis in the Faculty of the Arts and Humanities. I know your thesis explores the integration of African immigrant literature into the economic, political, and cultural fabric of the United States. I wonder if you could talk about how your research relates to ongoing debates about the value of migration and particularly the issue of which migrant persons are deemed valuable or disposable?

Christine Okoth (OK): Thank you so much – I’m still quite shocked that I even have a PhD let alone that my examiners thought it was good enough for a prize! In what is probably a familiar tale, I had no idea what my thesis would eventually become when I started at King’s in 2014. It all started with Lisa Lowe’s Immigrant Acts, a book that I encountered during my masters and that remains my favourite academic monograph. In it, Lowe develops a theory of Asian American political and cultural production as a kind of antithesis to the American national project. The history of Asian exclusion, which, by the way, isn’t taught nearly widely enough in UK universities, serves as the backdrop to Lowe’s argument. The idea that immigration legislation relates closely to the position that cultural production by immigrants holds within the U.S. nation-state stayed with me. I wanted to ask more questions about how the sudden popularity of African migrant literature – Adichie’s Americanah and Teju Cole’s Open City for example – related to shifts in U.S. immigration legislation. These novels weren’t exactly narratives of exclusion but are instead emergent genres of integration that take place against the backdrop of a changing political discourse around immigration.

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‘Human curiosity has a revolutionary power’: An interview with Paul Gilroy

by Rachel Bolle-Debessay and Paul Gilroy in conversation

Paul Gilroy, Professor of American and English Literature at King’s, was elected as a member of the American Academy of Arts and Sciences in April 2018 – a prestigious recognition of his work as a cultural historian, critical race theorist and thinker who has shaped black diaspora studies.  Founded in 1780, the Academy has a stellar list of former members including Benjamin Franklin (1781), Charles Darwin (1874), Albert Einstein (1924) and Martin Luther King, Jr (1966). Here, Paul speaks to PhD researcher Rachel Bolle-Debessay about receiving this award.

Rachel Bolle-Debessay (RBD): Thanks so much for talking to us, Paul! Our trigger for this interview was your election as a member of the American Academy of Arts and Sciences. So could you begin at this point – what does this mean for you and the nature of the scholarship that you undertake?

Paul Gilroy (PG): I was humbled and amazed. I’d say that being taken seriously is the best feeling an academic can have. I worked in the US for some years and one of my responsibilities as a teacher and researcher lay in the field of African American Studies. As an outsider, I faced a significant amount of hostility especially when my work was perceived as interrupting the standard cultural nationalist approaches that have defined that enterprise.

So this award cheered me up. It made me feel that in spite of the antipathy I had endured, the work I’d done had acquired its own life and some people had found it useful. It’s absolutely fine if they use it as something to disagree with and sharpen their intellectual claws upon. It makes me feel that I haven’t wasted my time.

‘This award cheered me up. It made me feel that in spite of the antipathy I had endured, the work I’d done had acquired its own life and some people had found it useful.’ Paul Gilroy on being elected as a member of the American Academy of Arts and Sciences in April 2018. Photo © Paul Gilroy

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Interview: The Still Point

Following the successful launch of The Still Point Issue 2, we speak with Mariam Zarif, editor-in-chief 2017-2018, about the new team’s vision for the journal. Mariam is a PhD researcher in the Department of English at King’s, writing on New Woman male writers as ‘transvestities’ and the politics of cross dressing in the fin de siècle. She heads up an editorial team composed of PhD researchers at King’s, UCL, Queen Mary, and the School of Advanced Study.

Find The Still Point Journal online, on Facebook and Twitter.

The Still Point Journal

KE: Could you tell us a bit about The Still Point and how it was originally conceptualised? How is it different from other literary journals?

MZ: The Still Point is a medium that celebrates creative and innovative writing and research experiences. Founded by King’s English PhD researcher Francesca Brooks in 2015, the journal was designed to offer research students a space of ‘one’s own’, where they can reflect on their research experiences. Continue reading Interview: The Still Point