PhD student George Oliver shares an extract from a short-listed creative writing piece that speculates on the criminalisation of public creative expression…
by Sylvia Solakidi
In this blog, King’s graduate Sylvia Solakidi explores the role of betrayal in the quest for love and knowledge in Connie Palmen’s novel about the contentious romance of Ted Hughes and Sylvia Plath.
There is perhaps no greater comfort nor reward granted by reading than resonance. It is an indescribable liberation to have our feelings corroborated; to sift through the works of writers centuries past and happen upon an unassuming strand of words that instantly articulates the inarticulable, that echoes an acute emotion lying dormant within. These discoveries serve as whispers through time, as a consoling hand-squeeze in the ether. In my first year studying on the Strand, Virginia Woolf’s 1930 essay Street Haunting: A London Adventure offered me this solace.
by Dr Jon Day
One of the loneliest things about life online, I’ve found, is that it denies us the full sensory range of human interaction. In lockdown I realised how much I missed not only seeing and hearing other people (sensory modes which Zoom can just about convey, even if unsatisfyingly) but how much I missed touching and even smelling other people.
From the English department to creating games and interactive fiction, King’s PhD graduate Greg Buchanan recalls his path from academia to creative writing.