It is a pleasure to announce to the KCL English community that the Scottish Association for the Study of America (SASA) has awarded the 2021 Ellen Craft Essay Prize to one of our PhD students, Katie Arthur, for her brilliant essay, ‘Arousing Disgust: Visceral Configurations of Obscenity through Literal, Literary, and Governmental Bodies in William S. Burroughs’ Naked Lunch (1957)’.
Disability+Intersectionality is a fortnightly reading group based at King’s College London where members meet to discuss key texts in critical disability studies, situating them within the broader context of the humanities and social sciences. Each session will focus on a theme and explore how disability intersects with categories such as gender, race, sexuality, and class.
Christina Lee is a second-year PhD student in the Department of English and a co-organiser of Disability+Intersectionality. In this post she reflects on lessons from the reading group and what intersectionality means to her.
At the Intersection
I am terrified of intersections. There is something about the open space in the middle that petrifies me. Once, while I was trying to cross the road, a car suddenly turned right and the driving instructor – sitting next to the learner in the passenger seat – stuck his head out of the window to rail at me for being on the road. I was actually on the pavement a few seconds before and left to cross to the right. I did not go on the pavement because it was too narrow and had poorly cut curbs. He didn’t want to listen and continued to insist I should be on the pavement. Eventually they drove off, though not before he proclaimed that I ought to be run over by a car. This is what I used to think of when I hear ‘disability’ and ‘intersection’.
Pavements, sidewalks, footpaths, are designed for pedestrians, people who use their feet and walk with an easy, steady stride without canes, crutches or prosthetics.
by Neil Vickers, Reader in English Literature and Medical Humanities, Department of English
John Forrester, who died in 2015, was the most original historian of the human sciences of his generation. His great love was the history of psychoanalysis – he was for 10 years the editor of the journal History and Psychoanalysis – and he published no fewer than four major books in that field, including the classic Freud’s Women(which he wrote with his wife, Lisa Appignanesi).
Thinking in Cases is the first of two books to be published posthumously, the second being the monumental Freud in Cambridge (co-authored with Laura Cameron), due out later this year. It comprises six essays written over the last two decades on what he memorably termed ‘case-based reasoning’. Forrester, along with many historians of science, believed that case-based reasoning had embedded itself in a variety of disciplines, in ways that experts were often reluctant to acknowledge. It might be thought that in the era of evidence-based medicine, medical education no longer needs the case. Yet, as Forrester argues in his classic essay, ‘If P, Then What? Thinking in Cases’ (1996), novice practitioners learn their science by absorbing a handful of standard experiments from scientific textbooks. These case studies – for that is what they are – serve not only to make the underlying principles more memorable, they also provide something like a shared professional memory. Continue reading Book Review: Thinking in Cases→
By Diya Gupta, PhD researcher, Department of English – find her here.
“Choti yeh hai teri saanp ki hi lehar Dogana
Khati hun tere vaste main zahar Dogana
(This plait of yours is the wave of a serpent, Dogana
I take poison because of you, Dogana)”
– Lines from nineteenth-century Urdu Rekhti poet Insha Allah Khan
What do we know about the representation of same-sex romantic and sexual relations in early nineteenth-century north India? And how does this relate to the transnational realm of early twentieth-century democratic thought? A postcolonial conversation on recent publications by two outstanding postcolonial scholars revealed how love and desire, revolutionary ethics and aesthetics, connect these two worlds in the final King’s in Conversation with series for 2015/16.