By Rachael Nicholas, PhD candidate (University of Roehampton), MOOC mentor, and alumna of the King’s MA in Shakespeare Studies
In case you’d missed it, 2016 marks the 400th anniversary of William Shakespeare’s death. Whilst some of the celebrations have commemorated the man himself, the catalogue of performances and special events comprised a celebration of afterlives, focusing on the 400 year history of encountering Shakespeare and his works. Their sheer range is a testament to the part that adaptation across different media has played in the construction of what we understand as ‘Shakespeare’ today.
The proliferation of media technologies has not only given rise to new modes of adaptation, but also to new ways of distributing and accessing Shakespeare’s work. It is now possible to open out live performances to audiences around the world through live broadcasts to cinemas, and increasingly, for free online. The question of what it means to encounter performances of Shakespeare through the digital – for both production and reception – is central to my own research project on live relay audiences. But to encounter Shakespeare through ‘performance’ is of course not the only way to encounter Shakespeare.
First published in 1609, Shakespeare’s sonnets are among the most accomplished and absorbing poems in the English language. They are also some of the most beloved and have enjoyed a vibrant afterlife, with continued readings, recitations, and reprints fortifying Shakespeare’s claim in Sonnet 60: “My verse shall stand”. These remarkable poems do not stand alone however, but rather, alongside the many works that they have inspired.
by Penny Newell, PhD student in the English Department
Unlike the categories of political economy, poetry will never be essential to a correct definition of capitalist society. In this sense, it will never need to exist – but it is exactly in this sense that it has something to contribute Danny Hayward, ‘Militant Poetics’
A political demo is nothing without people. But what is it without poems?
On a Saturday in March 2016, over 20,000 people marched through London in solidarity with refugees who are forced to flee from their homes. The event was the yearly Stand Up To Racism national march, with the continuing aim of speaking out against racism.
We stood gathered on the smoothed flagstones of Trafalgar Square, cold, fidgety, absorbing words that confirm the great injustices of the world, eating fig rolls and sipping tea… as is the way with these things.
I wondered if anyone else was remembering the times they’d stood here before: Anti-Austerity. SlutWalk. Pride. The passage through, on the way to hear Jeremy Corbyn’s speech, when my friend turned to me and said ‘I’ve got goosebumps…’ Continue reading People and Poems at Political Demos→
By Fran Allfrey, LAHP/AHRC-funded PhD student in the English Department
‘The traveller to Sutton Hoo must make two kinds of journey: one in reality and one in the imagination. The destination of the real journey is a small group of grassy mounds lying beside the River Deben in south-east England. The imaginative journey visits a world of warrior-kings, large open boats, jewelled weapons, ritual killing and the politics of independence’
Martin Carver, Sutton Hoo: Burial Ground of Kings?
The travel gods were against us. The trip to Sutton Hoo, Suffolk, usually takes about two hours from London. But on this day in March, our journey took over three hours and involved a ride to the end of the London Underground, a coach, two trains, and a twenty-minute trudge uphill.
February 13-14th saw the launch of a festival celebrating 400 years of Shakespeare’s legacy. King’s College London are part of this year-long series of cultural events called Shakespeare 400.
In this video director of the London Shakespeare Centre, Professor Gordon McMullan and English department scholars Dr Emma Whipday and Dr Elizabeth Scott-Baumann talk about the festival and their involvement.