Gabriella Hirst is an artist exploring the place of intimacy and the personal within the institutional. She is interested in the labour involved in the upkeep of illusions of permanence, with specific reference to gardening, art conservation and archive maintenance. Working across video, performance, ceramics, sound and poetry, she is inspired by cinematic tropes, slapstick routines and romantic clichés. She was shortlisted for the Ivan Juritz Prize in 2018.
By Ellie Jones (AHRC PhD researcher, Tate and English Department) and Bryony White (AHRC/ LAHP PhD researcher, English Department), co-editors of close. close is a monthly tinyletter (article sent to your inbox) exploring intimacy, intimate lives, and objects, supported by the London Arts and Humanities Partnership.
For some time, we have wanted to try and find a way to talk across our research in bodies, queer lives and intimacy. Both situated in the English Department at King’s and with desks next to one another in a small communal postgraduate research room, we have been speaking about how intimacy, its pleasures and its discontents, has long preoccupied the work of writers and artists.
In Virginia Woolf’s Mrs Dalloway, for example, intimacy is a locus of change, growth and transformation: ‘there had risen up a lovely tree in the brisk sea-salted air of their intimacy (for in some ways no one understood him, felt with him, as Clarissa did)—their exquisite intimacy’. Through intimacy, Woolf radically connects feeling to knowledge and self-understanding. However, intimacy here is also elusive. For the two former lovers, it is part of the air, atmospheric and ineffable. Continue reading close: letter #1
Emily Soon is a PhD candidate researching how early modern writers across a range of literary genres perceived the East Indies (principally, China, India and Southeast Asia) in early modern England. This blog was originally posted on Currently @ King’s.
International trade hurts local communities. It causes economic hardship at home and destroys the environment, while the culture of consumerism it fuels is destroying our values and way of life.
Similar sentiments to these recur across the media today: this so-called backlash against globalisation is said to have contributed to Brexit and the rise of Trump, and to have transformed the shape of political movements across the world. This pent-up frustration seems to be quintessentially twenty-first century, the disillusioned rant of a world no longer charmed by the siren song of free trade and borderless commerce.
And yet, the sentiments I began with are taken not from a present-day party political tract, but from a play written almost 400 years ago. While William Mountford’s amateur dramatic effort, The Launching of the Mary: Or the Seaman’s Honest Wife (ca. 1632-3), may not be able to rival the plays of William Shakespeare or Ben Jonson – for a start, we do not know if the single handwritten text held in the British Library archives was ever performed – it does encapsulate, poignantly, the profound anxieties that have long attended the idea of international trade. Continue reading Lessons in global commerce (from an early East India Company employee)
By Sinéad Murphy, PhD student in Comparative Literature
The King’s Fantastic Talks series came to life with its first instalment on 23rd October, with Prof Pablo Mukherjee delivering a riveting and trenchant study of third world non-aligned science policy and science fiction in India in the mid-twentieth century, focusing on the fiction of Satyajit Ray. Though Ray is better-known outside of India for his films, Mukherjee argues that Ray’s fiction and films are bound by similar aims, particularly the drive to achieve a modernist style which can adequately reflect the process of uneven modernisation in a newly postcolonial third world nation.