Jon Ward and Rafael Lubner will be discussing #AbolitionistCurriculum at the English Department Virtual Research Hour on November 11th, 12.30 – 1.30. In this blog post the pair reflect on how the curriculum embraces Blackness and resists the structures of exclusion within ‘The University’ environment.
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From PhD to Novel
From the English department to creating games and interactive fiction, King’s PhD graduate Greg Buchanan recalls his path from academia to creative writing.
Thinking in Crisis Times
Serial Forms
By Clare Pettitt, Professor of Nineteenth-Century Literature and Culture at King’s College London
The 5th of June 1846 was a boiling hot day. It was so hot that Elizabeth Barrett, soon to become Elizabeth Barrett Browning, ‘could do nothing but lie on the sofa and drink lemonade and read Monte Cristo’. She wrote to Robert Browning that she had started ‘“Le Comte de Monte Cristo,” the new book by Dumas, (observe how I waste my time . . .) & really he amuses me . . . six volumes I am glad to see.’ She was not alone: Dumas’s newspaper novel, The Count of Monte Cristo, was everywhere that year. It was running in various languages in serial magazines and abridged in the cheap penny papers across Europe and America. Ralph Waldo Emerson remembered “falling back” on long serial novels by Dumas and Dickens on his voyage to Europe from America in 1847. Dickens’s new novel Dombey and Son was coming out between October 1846 and April 1848 and was eagerly consumed by the literate and semi-literate alike. In the 1840s, then, the print serial had begun to cross languages, countries, classes, and genders. The form was creating new international readerships and a new rhythm of reading.
Still Life with a Map of the World Outside the Window
Ruth Padel, Professor of Poetry at King’s College London reads from her poem ‘Still Life with a Map of the World Outside the Window’ from the new anthology Staying Human: New poems for Staying Alive, edited by Neil Astley and published by Bloodaxe Books.
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