By Fran Allfrey, Strandlines assistant editor, English Dept alumna and Teaching Assistant
Strandlines is a life-writing and community history project, which takes the form of a website and linked Facebook, Twitter, and Instagram accounts. The project was set up by Professor Clare Brant, with a board of editors made up of colleagues inside and beyond King’s. I joined as Assistant Editor in spring 2019. With the new term just starting, Clare and I thought now was a good time to reflect on where Strandlines has been, and where it may go next! Continue reading Strandlines: lives on the Strand, past, present and creative
by Abbey Ellis and Subha Robert William
The discipline of archaeology was born in the museum. In the words of Andrew Christenson, “museums were really the first professional homes for archaeology.” Indeed, museums in the mid-nineteenth century played an important role in the institutionalisation of archaeology, forming an essential stepping stone to the discipline we know today. The historical and contemporary intersections between archaeology, museums and collections provide ample scope for research and debate, as the relationship between archaeology and museums has been much altered over time through changing displays, practices, and museum politics.
Continue reading Exploring the Institutionalisation of Archaeology
By Ioli Andreadi, theatre director and Visiting Research Fellow
A group of Italian journalists enter the rehearsal room, interrupting the rehearsal in order to have a look at the space. The three actors – Miltiadis Fiorentzis, Eleana Kafkala and Maria Proistaki – the set designer, Dimitra Liakoura, and I stop because the reading of the play requires quiet and solitude. One of the journalists asks us what play we are working on and we reply. He says: “Ah! The Cenci family is Italian and I happen to know the family’s last descendant. Franco Cenci is my friend. He is an artist whose work is inspired by his family.” I ask him whether he could introduce me to him. I write down my e-mail address on a piece of paper, using big letters, to make sure there’s no misunderstanding. He promises to introduce us. The group leaves. The rehearsal continues.
Continue reading Reimagining the Witness in the Eternal City: Who is the Last of the Cencis?