Categories
Contemporary

COVID-19: 3 Poems that Can be a Source of Inspiration During Uncertain Times

by Nura Haji

Nura Haji is an undergraduate student studying at King’s. Here Nura reflects on the power of poetry in times of uncertainty.

There is something exciting about the build up towards the beginning of summer. Year in, year out, we are teased by the burst shots of a fast approaching spring, with strokes of sunlight and the return of longer days formerly stolen by winter.

Categories
Colonial, Postcolonial and Transnational Culture Contemporary Culture, Text and History Gender and Sexuality

On dissent; or, learning how to say no

by Pavan Mano

PhD candidate Pavan Mano explores how the seeming reticence of Singapore’s biggest queer movement to openly challenge the status-quo is in fact its key organising strength.

Singapore can be a strange country in many ways. And one of those ways is how it projects an image of a modern, forward-looking metropolis whilst remaining home to a backward (albeit unenforced) law in the form of Section 377A – a legislative hangover from British coloniality – that criminalizes sex between men. Section 377A isn’t an anomaly in the Singaporean landscape – it’s merely the most visible symptom of the primacy of place that heterosexuality retains in the country. Which, amongst other things, means that there’s plenty of work for queer movements to do in terms of advocacy and activism. And one of these movements is Pink Dot.

Categories
20th - 21st Centuries Contemporary Gender and Sexuality Interviews

ParaPride: Queer@King’s first Activist-in-Residence

In early October, Queer@King’s announced their first ever Activist-in-Residence, Daniel Lul from ParaPride. In this interview, PhD student Katie Arthur speaks to ParaPride Co-Founder, Daniel Lul, and Queer@King’s Director, Sebastian Matzner, about the scheme and their work.

A happy photograph of Parapride's Daniel Lul with 4 Queer@King's members at the announcement of the Activist-in-Residence scheme

Categories
20th - 21st Centuries Aesthetics, Philosophy, Theory Contemporary

Surviving Post-Truth Politics: The Theater of Ivo van Hove

By Susan Bennett and Sonia Massai

Susan Bennett is University Professor in the Department of English, University of Calgary, Canada. She is widely published across a variety of topics in theatre and performance studies, including Theatre Audiences (1997), Theatre & Museums (2013) and Sound (2019).

Sonia Massai is Professor of Shakespeare Studies at King’s College London, UK. She has published widely on the history of the transmission of Shakespeare in print and in performance. She is currently working on a new book on Shakespeare’s Accents: Voicing Identity in Performance and preparing a new edition of Richard III for the Arden Shakespeare.

When asked “What is politics?,” director Ivo van Hove’s answer is straightforward and uncompromising: “Politics is the antithesis of absolute truth.”

Categories
Contemporary Gender and Sexuality Literature, Medicine and Science

Crossings: Reflections on Disability and Intersectionality

Disability+Intersectionality is a fortnightly reading group based at King’s College London where members meet to discuss key texts in critical disability studies, situating them within the broader context of the humanities and social sciences. Each session will focus on a theme and explore how disability intersects with categories such as gender, race, sexuality, and class.

Christina Lee is a second-year PhD student in the Department of English and a co-organiser of Disability+Intersectionality. In this post she reflects on lessons from the reading group and what intersectionality means to her.

At the Intersection

I am terrified of intersections. There is something about the open space in the middle that petrifies me. Once, while I was trying to cross the road, a car suddenly turned right and the driving instructor – sitting next to the learner in the passenger seat – stuck his head out of the window to rail at me for being on the road. I was actually on the pavement a few seconds before and left to cross to the right. I did not go on the pavement because it was too narrow and had poorly cut curbs. He didn’t want to listen and continued to insist I should be on the pavement. Eventually they drove off, though not before he proclaimed that I ought to be run over by a car. This is what I used to think of when I hear ‘disability’ and ‘intersection’.

Pavements, sidewalks, footpaths, are designed for pedestrians, people who use their feet and walk with an easy, steady stride without canes, crutches or prosthetics.