By George Kowalik (editor)
Back in March, the department’s PGR community received an email about an upcoming in-house conference. June’s event would be the first time the annual conference had taken place online, and this year papers would be on the theme of “pause/progress: interruption as possibility.”
By Louise Usher
During my creative writing MA, we were given a writing prompt, encouraging us to take a seat in a coffee shop and write what we could hear. The piece that followed from my mind gave me reason to believe that sounds are subjective. Not only am I hearing impaired, since my mastoidectomy in the year 2000, but an active imagination saw me writing stories within the coffee shop sounds.
By George Kowalik (editor)
I sat down with Nick Makoha, second year PhD student in the English department here at King’s. We mainly talked about Nick’s work with the Obsidian Foundation, but also moved on to his creative work generally. Below is a transcript of our discussion of the Obsidian Foundation. See the attached audio file for the full interview…
By Imogen Free
Nick Makoha’s ‘A Low-Pressure System’ moves through the past towards mythology; it is a personal journal that resists any fixity, but instead is a series, as Ivan Juritz Prize judge, Will Eaves notes, ‘perpetually in flight’. This retelling of the events related to the Entebbe hijacking in 1976 is paralleled against a series of flights from Nick’s own experience, and despite writing through dramatic historical events, his moving voice can be felt strongly throughout. This became particularly evident when listening to him read from Codex 2 during our prizegiving event at the end of June. Codex 2 is a poem about his father’s personal and political life; reading from it, we saw him half-smile as he came to the last line: ‘I had a small nonspeaking part’.
Continue reading Reflecting on This Year’s Ivan Juritz Prize
By Kirsten Tambling and Sally Barnden
Dr Kirsten Tambling and Dr Sally Barnden, postdoctoral research associates on the AHRC-funded project ‘Shakespeare in the Royal Collection’, discuss their work and findings ahead of the launch of their online database and exhibition on the 15th of July.
Kirsten: In 2018, Cole Moreton wrote a piece for the ‘i’ on the ‘transformation’ of Prince Harry. Arguing that ‘Prince Harry’s transformation from wild child to hero is uncannily like that of Shakespeare’s warrior Hal’, Moreton traces the trajectory of the Prince of Wales’s second son from tearaway teenager – sent to rehab for smoking cannabis – to one of the royal family’s most popular members, alongside that of Prince Hal of Henry IV Parts 1 and 2.
