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Reimagining the Witness in the Eternal City: Who is the Last of the Cencis?

By Ioli Andreadi, theatre director and Visiting Research Fellow

A group of Italian journalists enter the rehearsal room, interrupting the rehearsal in order to have a look at the space. The three actors – Miltiadis Fiorentzis, Eleana Kafkala and Maria Proistaki – the set designer, Dimitra Liakoura, and I stop because the reading of the play requires quiet and solitude. One of the journalists asks us what play we are working on and we reply. He says: “Ah! The Cenci family is Italian and I happen to know the family’s last descendant. Franco Cenci is my friend. He is an artist whose work is inspired by his family.” I ask him whether he could introduce me to him. I write down my e-mail address on a piece of paper, using big letters, to make sure there’s no misunderstanding. He promises to introduce us. The group leaves. The rehearsal continues.

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Research Hour: Refugees and Migrants

By Prof. Josephine McDonagh, Professor of Nineteenth Century Literature and Dr Rowan Boyson, Lecturer in English Literature

How might the humanities contribute to an understanding of the current refugee ‘crisis’?   That was the general question that generated the informal session of staff and researchers in the English Department held on 10th February, 2016.

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Awash with colour in Western Norway

By Frances Carey, Visiting Senior Research Fellow, English Department, and co-curator of Painting Norway. Nikolai Astrup 1880-1928, Dulwich Picture Gallery 5 February to 15 May 2016.

An elephant’s gestation is ‘but as yesterday when it is past, and as a watch in the night’ compared with that required for most museum exhibitions. The one just opened at Dulwich Picture Gallery was not even a twinkle in anyone’s eye at the seminar I was invited to join four years ago in Bergen, to consider how to raise the international profile of Nikolai Astrup.

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King’s Shakespeare Festival: What You Will

February 13-14th saw the launch of a festival celebrating 400 years of Shakespeare’s legacy. King’s College London are part of this year-long series of cultural events called Shakespeare 400.

In this video director of the London Shakespeare Centre, Professor Gordon McMullan and English department scholars Dr Emma Whipday and Dr Elizabeth Scott-Baumann talk about the festival and their involvement.

Click here to book tickets.

Echoes in Wax of Virginia Woolf

Introduction by Max Saunders, Professor of English and Director of the Arts and Humanities Research Institute (AHRI)

The idea for Wax Virginia was developed by Prof. Clare Brant, Co-Director of the Centre for Life-Writing Research, and Ruth Richardson, Visiting Research Fellow of the Centre, who both worked closely with the artist Eleanor Crook, on the design of the installation. The project is characteristic of the creativity and imagination they have brought to the Centre. At the unveiling during the Arts & Humanities Festival people were astounded by the way the sculpture transformed the lobby space. It was just what was needed to realise the presence of Arts & Humanities at 22 Kingsway.

Watch a time-lapse video of the artist Eleanor Crook producing the work,  then read more about the project in a post from Catriona Livingstone.