By Ellie Jones (AHRC PhD researcher, Tate and English Department) and Bryony White (AHRC/ LAHP PhD researcher, English Department), co-editors of close. close is a monthly tinyletter (article sent to your inbox) exploring intimacy, intimate lives, and objects, supported by the London Arts and Humanities Partnership.
For some time, we have wanted to try and find a way to talk across our research in bodies, queer lives and intimacy. Both situated in the English Department at King’s and with desks next to one another in a small communal postgraduate research room, we have been speaking about how intimacy, its pleasures and its discontents, has long preoccupied the work of writers and artists.
In Virginia Woolf’s Mrs Dalloway, for example, intimacy is a locus of change, growth and transformation: ‘there had risen up a lovely tree in the brisk sea-salted air of their intimacy (for in some ways no one understood him, felt with him, as Clarissa did)—their exquisite intimacy’. Through intimacy, Woolf radically connects feeling to knowledge and self-understanding. However, intimacy here is also elusive. For the two former lovers, it is part of the air, atmospheric and ineffable. Continue reading close: letter #1
An open drafting process of ‘Capoeira Boy’ from Ruth Padel’s collection, Learning to Make an Oud in Nazareth (Chatto, 2014).
by Penny Newell
Sometimes poetry mutters, sometimes it sings, oftentimes it catches our eye and looks. There’s a line from a poem of Ruth Padel’s collection, Learning to Make an Oud in Nazareth (Chatto, 2014), which manages all three. It runs: ‘I am looking too hard, or this scene is looking too hard/ at me.’
You need only read the commentary below to realise that here we overhear the poet muttering to herself, pen and notebook in hand. Yet we also hear a clue to the song that Padel plays on the oud. The oud is both the instrument, and perhaps a Middle Eastern homonym of the ode (from the Greek ’αοίδη [aoide], ‘a song’). The oud is a solemn song, sung by a chorus of CNN, Youtube and eBay, refugee camps and tanks. Last week, Jo McDonagh and Rowan Boyson asked ‘How might the humanities contribute to an understanding of the current refugee ‘crisis’?’ Padel’s poetry is alive to this question. The poems of this collection catch our eye with it, and let it look at us hard.
Continue reading Ruth Padel drafts ‘Capoeira Boy’
In July 2015, one King’s PhD researcher and a group of Philippine community artists, academics and documenters undertook a two-week ‘RoRo’ journey in Mindanao, the largest island in the southern Philippines. The journey was part of PSi#21, an international Performance Studies research project, which coordinated conferences in fifteen locations across the globe in 2015.
By Ella Parry-Davies, PhD student in Performance Studies
Continue reading Postcards from Mindanao