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Interviews Life writing, Creative writing and Performance Long Read

“attracting black poets and increasing the volume of those that are seen in the world”: An Interview with Nick Makoha on the Obsidian Foundation

By George Kowalik (editor)

I sat down with Nick Makoha, second year PhD student in the English department here at King’s. We mainly talked about Nick’s work with the Obsidian Foundation, but also moved on to his creative work generally. Below is a transcript of our discussion of the Obsidian Foundation. See the attached audio file for the full interview…

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Culture, Text and History Early Modern and Shakespeare Insights Life writing, Creative writing and Performance

Shakespeare in the Royal Collection. Shakespeare’s Second Folio.

Sally Barnden, in conversation with Emma Stuart, explores Shakespeare’s Second Folio, which was in possession of Charles I during his imprisonment.

One of the most prized objects in the Royal Collection is a ‘Second Folio’ edition of Shakespeare’s plays, first published in 1632. It contains handwritten annotations made by the deposed King Charles I in the final days before his execution on the orders of Parliament, during the English Civil War.

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Insights Life writing, Creative writing and Performance

INTERVIEW: KCL Professor of Poetry Ruth Padel on mythology, restoration and ‘Daughters of the Labyrinth’


As part of the interview series Writers on Research, Joe Bedford speaks to KCL Professor of Poetry Ruth Padel about the research process behind her new book Daughters of the Labyrinth released on 1/7/21.

 

https://joebedford.co.uk/ruth-padel/

 

Categories
Insights Life writing, Creative writing and Performance Modernism

Reflecting on This Year’s Ivan Juritz Prize

By Imogen Free

Nick Makoha’s ‘A Low-Pressure System’ moves through the past towards mythology; it is a personal journal that resists any fixity, but instead is a series, as Ivan Juritz Prize judge, Will Eaves notes, ‘perpetually in flight’. This retelling of the events related to the Entebbe hijacking in 1976 is paralleled against a series of flights from Nick’s own experience, and despite writing through dramatic historical events, his moving voice can be felt strongly throughout. This became particularly evident when listening to him read from Codex 2 during our prizegiving event at the end of June. Codex 2 is a poem about his father’s personal and political life; reading from it, we saw him half-smile as he came to the last line: ‘I had a small nonspeaking part’.

Categories
Culture, Text and History Early Modern and Shakespeare Insights Life writing, Creative writing and Performance

Reform, Rejection, and Renewal: Findings from the Shakespeare in the Royal Collection

By Kirsten Tambling and Sally Barnden

Dr Kirsten Tambling and Dr Sally Barnden, postdoctoral research associates on the AHRC-funded project ‘Shakespeare in the Royal Collection’, discuss their work and findings ahead of the launch of their online database and exhibition on the 15th of July.

Kirsten: In 2018, Cole Moreton wrote a piece for the ‘i’ on the ‘transformation’ of Prince Harry. Arguing that ‘Prince Harry’s transformation from wild child to hero is uncannily like that of Shakespeare’s warrior Hal’, Moreton traces the trajectory of the Prince of Wales’s second son from tearaway teenager – sent to rehab for smoking cannabis – to one of the royal family’s most popular members, alongside that of Prince Hal of Henry IV Parts 1 and 2.