by Fran Allfrey and Charlotte Rudman, PhD students in the Department of English and co-presenters and producers of Footnotes, KCL Radio
We were always the talkers, the thinkers-out-loud, the ones just spilling out what came into our heads in seminars, to the disdain or amusement of our fellow undergraduates. But now as PhD students – teaching classes and attending research seminars – sometimes we restrain ourselves: worried that a half formed musing might be taken as our critical point of view; watching ourselves say ‘Is it this…? Or is it that…? Am I making any sense?’ and feeling unprofessional, that we’ve exposed ourselves as frauds.
But outside of the conventions of classroom or conference, we know that the most exciting moments come in conversations with ‘your people’. Your people can take many forms: maybe you’re in the same chronological discipline (medievalists), or perhaps your research concepts (Aristotelian philosophies across different times), or obsessive tracking of images, of poetics (of water, of sound) enter into dialogue irrespective of imagined boundaries in time or place. Continue reading footnotes, [alt+cmd+f] 1.a living encyclopedia of research
By Declan Ryan, Visiting Lecturer in Poetry and Creative Writing
The idea for setting up the website which became wildcourt.co.uk was knocking around almost as soon as I came to teach at King’s in 2014.
I had previously run a reading series called Days of Roses out of which two anthologies and a supporting blog had developed. The hope was to bring Days of Roses in a new form into King’s, then develop it into a more international, wide-ranging magazine and, in time, imprint. Continue reading The Wild Court Poetry Magazine
By Ioli Andreadi, theatre director and Visiting Research Fellow
A group of Italian journalists enter the rehearsal room, interrupting the rehearsal in order to have a look at the space. The three actors – Miltiadis Fiorentzis, Eleana Kafkala and Maria Proistaki – the set designer, Dimitra Liakoura, and I stop because the reading of the play requires quiet and solitude. One of the journalists asks us what play we are working on and we reply. He says: “Ah! The Cenci family is Italian and I happen to know the family’s last descendant. Franco Cenci is my friend. He is an artist whose work is inspired by his family.” I ask him whether he could introduce me to him. I write down my e-mail address on a piece of paper, using big letters, to make sure there’s no misunderstanding. He promises to introduce us. The group leaves. The rehearsal continues.
Continue reading Reimagining the Witness in the Eternal City: Who is the Last of the Cencis?
By Frances Carey, Visiting Senior Research Fellow, English Department, and co-curator of Painting Norway. Nikolai Astrup 1880-1928, Dulwich Picture Gallery 5 February to 15 May 2016.
An elephant’s gestation is ‘but as yesterday when it is past, and as a watch in the night’ compared with that required for most museum exhibitions. The one just opened at Dulwich Picture Gallery was not even a twinkle in anyone’s eye at the seminar I was invited to join four years ago in Bergen, to consider how to raise the international profile of Nikolai Astrup.
Continue reading Awash with colour in Western Norway