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Contemporary, Life writing, Creative writing and Performance, Long Read

‘The Normal Heart’ and the Morality of Being Gay

By Goh Wei Hao

Written during a different time, when the world was consumed by another virus, the themes of The Normal Heart remain extraordinarily relevant in today’s world.

The play is set in New York City, and takes place over a span four years in the 1980s — during the early days of the HIV epidemic when the virus did not yet have a name. It is centred around the writer Ned Weeks and the gay health advocacy group that he helped to establish along with closeted banker Bruce Niles, the free love advocate Mickey Marcus, and the self-described “Southern bitch,” Tommy Boatwright. Also part of this ragtag group is Dr Emma Brookner who pushes the group to campaign harder for their voices and her advice to be heard by the community.

After watching the 2021-revival of Larry Kramer’s largely autobiographical play, a question lingers in my mind: What does it mean to be a moral gay man?

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Contemporary, Long Read

17 days of June: on COVID-19, prescriptions and proscriptions, and the contingencies of care

By Pavan Mano

Common sense is an interesting thing. Particularly in those not infrequent moments when it becomes clear that it isn’t, in fact, all that commonly distributed and, quite often, doesn’t actually make very much sense. These moments offer an opportunity – even if quite often missed – to unwind, untangle, and unmake some of these articulations of common sense – hopefully in favour of something better. This is one such moment. After all, “pandemics have forced humans to break with the past and imagine their world anew” (Roy 2020). We’ve been forced, collectively, to confront the question of care and the various conditions under which it’s extended to different degrees, to particular categories of people, in particular circumstances, and so on – the contingencies of care, in other words. In the face of the conspicuous insufficiencies that have been brutally exposed over the course of the past year and a half, it would be awfully remiss of us to eschew reimagining how our world and societies are arranged and organized.

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19th Century, Insights

An Office of One’s Own: Introducing Dr Emma Butcher

By Emma Butcher

I’m writing this sat in my lovely new office. I’m not used to having a space all to myself, so it feels apt that my first ‘office of one’s own’ is situated in the Virginia Woolf Building. It’s quite a lovely moment at this point in the year, even if slightly chaotic, with the new term around the corner and the campus once again starting to bustle after a year and half’s painful lull caused by the pandemic.

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Culture, Text and History, Early Modern and Shakespeare, Insights, Life writing, Creative writing and Performance

Shakespeare in the Royal Collection. Shakespeare’s Second Folio.

Sally Barnden, in conversation with Emma Stuart, explores Shakespeare’s Second Folio, which was in possession of Charles I during his imprisonment.

One of the most prized objects in the Royal Collection is a ‘Second Folio’ edition of Shakespeare’s plays, first published in 1632. It contains handwritten annotations made by the deposed King Charles I in the final days before his execution on the orders of Parliament, during the English Civil War.

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Insights, Life writing, Creative writing and Performance, Modernism

Reflecting on This Year’s Ivan Juritz Prize

By Imogen Free

Nick Makoha’s ‘A Low-Pressure System’ moves through the past towards mythology; it is a personal journal that resists any fixity, but instead is a series, as Ivan Juritz Prize judge, Will Eaves notes, ‘perpetually in flight’. This retelling of the events related to the Entebbe hijacking in 1976 is paralleled against a series of flights from Nick’s own experience, and despite writing through dramatic historical events, his moving voice can be felt strongly throughout. This became particularly evident when listening to him read from Codex 2 during our prizegiving event at the end of June. Codex 2 is a poem about his father’s personal and political life; reading from it, we saw him half-smile as he came to the last line: ‘I had a small nonspeaking part’.

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