Categories
Life writing, Creative writing and Performance

An Extract: How Mewing Can Improve Your Profile

Daniel is a mature undergraduate currently pursuing an English BA at King’s College London, while also working as an English and guitar tutor. Originally from Birmingham, where he spent the majority of his life, he was once a songwriter and performer. During his time in Birmingham, he fronted several bands, including the psychedelic indie band Sleep Patterns. To make ends meet, he took on various day jobs over the years, including working in an art shop, a library, in social care, and being involved in musical projects with the Midlands Arts Centre (MAC) and the music/arts collective DIE DAS DER, in addition to teaching guitar. In recent years, his focus has shifted from songwriting to prose writing.

His literary influences are varied, with a particular admiration for writers who possess unique, characterful styles such as Dickens, Nabokov, and, more recently, Jean Rhys with her angst-ridden prose. He also has a deep appreciation for science fiction, particularly the works of authors like Ursula K. le Guin, Gene Wolfe, and Ray Bradbury, who blend literary sensibilities with the genre. He believes that literature is most powerful when it serves a clear purpose, and sees science fiction as a means to reflect and stylize our world and times, often in a distorted or exaggerated manner. Writers such as Philip K. Dick, William Gibson, and Margaret Atwood have done this effectively, and it is in this tradition that Daniel has been experimenting with writing his own short science fiction stories.

For his most recent story, Daniel was inspired by the way a small number of Silicon Valley companies have shaped our digital culture, driven by their competitive, libertarian values. The book Hegemony Now: How Big Tech and Wall Street Won the World (And How We Win It Back) by Jeremy Gilbert and Alex Williams sparked further reflection on how this influence has quietly crept into society, prompting him to consider what might happen if it were taken just a step or two further.

 

How Mewing Can Improve Your Profile

By Daniel Sheridan

 

Marcus can’t stop looking at the palm of his hand. He leans back on the training bench and stares at the rising numbers on the screen encased in his skin – kg’s lifted, treadmill milage, water intake – his profile updating automatically. Two hours at the gym won’t enhance his visibility much, not compared to the sponsored content he’d paid for this morning. It’s all good profile maintenance, though.

He passes the woman in the grey tank top he’d seen doing leg presses. Her toned body alone is clickbait. Some guy is talking to her. Marcus clocks his torso – too thin between those bulking upper arms. He needs to get his workout plan sorted, competition on OneProfile is ramping up; the algorithms are merciless. But if Miss Clickbait wants to laugh at his weak jokes they’re welcome to each other.

Another glance at his palm-device as he leaves: his content is performing well.

 

 

 

Black BOSS shirt. Navy chinos. He places each item of dry-cleaned clothing on the bed. White Calvin Kleins. Marcus trims his eyebrows then slips his boxers – some minor topiary. He massages a hair growth stimulant into his cheeks after moisturising. Thirty years old and his beard is still little more than bumfluff.

Marcus is sculpting his hair when his palm-device buzzes. It’s Eliot. He steps onto the balcony to take the call, palm against his ear. The upper portion of the sky is a clear, pearlescent blue above a few puffs of low hanging cloud. From his fourteenth floor Hackney pad, he takes in the horizon dominated by the vaunting financial district.

‘Shit, Marcus, are you following the news about Bristol? Their system is still shut down. Are we culpable?’ Eliot is getting paranoid. ‘I’m shitting it about that last malware protection update, we rushed it through.’

They have all worked hard for these contracts. Eliot is ruining the glory for himself. It had taken the full range of Marcus’s wily charms to sell the software to the North Bristol Trust, adding tens of thousands to the income from healthcare companies in Lagos and Hanoi and Mumbai and he forgets where else. CyberFort Security is a global success.

‘We both know the software wasn’t built for Health Records systems. And I had someone asking me some weird questions outside the office last week. It could have been someone from the media, or the police.’

‘You’re worrying too much, Eliot. Just keep on with the patching work. And check your bank balance – it works like a diazepam.’

Marcus is beginning to feel he has the legitimacy to breathe in and out the same air as those FTSE 100 elites. To breathe the brightest, cleanest air, the purest oxygen cut from the atmosphere by the peak of The Shard, its spire puncturing the sky to let out the air of excess.

He tells Eliot to chill and taps his palm to end the call.

 

 

 

Marcus inhales some of the strawberry of Sarah’s vape clouds as she scrolls through her profile – fitness, education, income; stopping at the personal details section, she points to her date of birth.

‘Wow. You look much younger.’

‘Well, of course.’ It was supposed to have been a compliment – they had matched on OneProfile, so he’d already glanced through her breakdown. ‘Don’t you understand how much work we have to have done now? Each year closer to forty and fucking OneProfile’s algorithms drag down our visibility, much faster than for you blokes. You understand that, right?’

‘But if it works…’

‘Works for who?’

‘It brought us together tonight, for one thing.’ He coils an arm around Sarah’s waist as he gently rocks his hips to the Latin guitar noodling from the beer garden speakers. ‘And it sounds like you practically run this– what is it, a podcast? So you hire your own staff, I presume…’ A brief nod. He’s starting to think she’s not into him, but he’ll make his point anyway. ‘When all this was spread across different platforms – professional linking, photo sharing, dating – it was a mess.’ Since the Silicon Valley Merger, life has become streamlined. No one can argue against the convenience of having those key platforms operating under one point of reference – one profile. Performances across all areas – followers, qualifications, income, days without sick leave – all contribute to OneProfile visibility. ‘It makes sense for you to see your candidates’ merits all laid out before you, surely. Like a stats screen in a video game.’ Marcus grins.

‘I’m not a gamer.’

‘But when you’re hiring, you just skim the most visible profiles, right? Simple. Think of all the time we used to waste on inefficient people.’

‘Personally,’ Sarah takes a micro-step away from him, ‘I think it needs regulation’.

He had thought he’d found a good alternative to Miss Clickbait tonight. A few exchanged messages and Sarah had agreed to meet immediately, his trending profile already working its magic. Marcus had been mewing in the angled mirrors behind the bar, checking out his side-profile when she’d tapped him on the shoulder. He’ll take a good pic of that improved jawline later. She’d been interested in his work, asking about the way he tests his company’s antivirus software, those lucrative contracts. But once the conversation had gotten onto things more personal, she’d seemed to go cold.

‘These things we used to call phones,’ Sarah spreads open her hand, displaying her palm-device, ‘we can’t truly compete on the jobs market without modelling ourselves through them. You say it suits employers, but if our bodies must be gamified like this, public ownership of OneProfile is the only way we can all have a say.’

‘But OneProfile and palm-devices both came from the private sector. They met a demand. People have always loved their beautiful tech.’

‘And you don’t think it’s a problem to have no alternatives?’ Sarah breathes a fresh fruity plume.

‘But it’s like – realistically, Amazon is the only company people order their shit from now. Is anyone calling for alternatives there?’ With a service that slick, no need to talk about healthy competition or ethics. Get my fucking drill bit to my door tomorrow morning. I need it. ‘It works. Like OneProfile, keeping everything running smoothly, including your business,’ he says, disentangling his arm. He snatches a glance at his palm-device: twenty-nine missed calls from Eliot.

 

*

 

He tries the four-seven-eight breathing technique encouraged by David, his forensic psychologist. A course of therapy is one of the conditions of his bail. The defence had managed to soften his sentence by claiming ‘mental ill health’ as a factor.

David counts and Marcus breathes. Four seconds breathing in – hold for seven – eight seconds out. Four plus seven plus eight is nineteen.

He tries not to imagine what a criminal record will do to his profile. CyberFort Security’s business ratings have already dropped, pummelling his visibility. He tugs at the bandage covering his palm and starts to hyperventilate again.

David asks if he would like a glass of water. No, he doesn’t want any water, he doesn’t want to breathe stillness into his body. He wants to pace up and down the ribbed carpet of the magnolia-walled room. He wants to check his profile. He can’t function without knowing the damage. Marcus stares at a piece of sodden sky though the narrow, open window. He’s fallen far beneath that superior FTSE air now, raggedly sucking in the dregs, a bottom feeder gagging on the mud. A cold draft chills his clammy skin.

A police officer enters the room. His heart thuds at the bang of the wind-slammed door. It’s nothing to do with Marcus, David assures him, not to worry, this is still his space.

Marcus is against therapy. An ex had once urged that he try it after he’d become too obsessive and spreadsheety with his profile goals. But no, everyone knows the diagnosis of a psychiatric condition makes you less algorithm-friendly, even if the official line is that OneProfile can’t access medical details.

‘Let’s go back to the numbers,’ says David. He can’t forget that last glimpse of his lamed profile – his stats had been decimated. ‘I find it helps clients to work towards acceptance of guilt by beginning with the data, to start seeing the unchangeable facts of the situation as they are.’

‘I … I need to see it.’ He pulls at the corners of the bandage.

‘Let’s just focus on those facts. The hospital cyber-attack in Bristol caused delays in treatment for,’ David taps his palm-device, ‘two-hundred-and-sixteen patients, the complications of which included seven deaths.’

‘What? I thought we were talking about my profile data…’ Marcus had listened to Sarah’s investigative podcast. She’d called him a ‘purveyor of the cybersecurity equivalent of combustible cladding’. His only real digital talent, Sarah claimed, was in manipulating OneProfile visibility to his company’s advantage, shouldering CyberFort to the fore in search engine results. He’d swipe-righted his way into a honey trap.

‘And then there’s the Vietnamese clinic–’

‘I need to see my profile,’ Marcus says through clenched teeth. David removes his horn-rimmed glasses and slowly cleans the lenses with a cloth. He’d get more engagement if he’d only invest in some fashionable glasses.

‘You’re obsessing again, Marcus.’

He knuckles away hot tears with his bandaged hand. David continues tapping his palm-device. His voice softens. ‘How do you feel?’ Marcus’s lungs feel algorithmically suppressed.

He rips the bandage from his hand. His device has been confiscated, leaving a raw, rectangular hollow in the flesh of his palm. The veins mapping across red-brown sheets of exposed muscle seem to flicker, splitting apart, forming and reforming into a jargon of nonsense words and numbers incessantly scripting in the wound.

Marcus feels illegitimate.

Categories
Early Modern and Shakespeare Life writing, Creative writing and Performance

Theatre Review: Much Ado About Nothing by the Jamie Lloyd Company, at the Theatre Royal Drury Lane

Izzi is a Master’s student on the Shakespeare Studies MA at King’s and the Globe Theatre, having completed her undergraduate degree in Classics and English at the University of Oxford. As her MA suggests, she loves all things Shakespeare and early modern drama, and she regularly watches and reviews modern productions of Shakespeare plays. Although you wouldn’t know it from how much she loved Much Ado, Izzi’s research focuses on bodily violence on the early modern stage.

Izzi has written the below review for the most recent production of Much Ado About Nothing (2025): Jamie Lloyd Company, Theatre Royal Drury Lane.

Verdict: 5 stars

Coming off the back of his rather dark and pessimistic production of The Tempest, Jamie Lloyd’s Much Ado About Nothing couldn’t be more refreshingly different. The bleak and barren sand dunes of Prospero’s island have been swapped for a stage covered in bright pink confetti, with a massive pink heart floating at the back of the stage. Lloyd re-imagines Shakespeare’s Sicilian comedy in a world of 90s disco, glittery jumpsuits, and massive Masked Singer-cum-Disneyland headpieces to absolutely fabulous success.

While in his Tempest the casting of Sigourney Weaver as a female Prospero was somewhat disappointing, Lloyd’s choice of Hollywood A-listers in the form of Marvel’s Tom Hiddleston and Hayley Atwell is inspired. The pair’s flirtatious repartee during the opening scenes perfectly captures the constant exchange of digs between Beatrice and Benedick, Messina’s most eligible bachelor and bachelorette. Both make perfect use of their Hollywood heartthrob status when appealing to the audience: Hiddleston delivers Benedick’s iconically self-centred line ‘I am loved of all ladies’ to rapturous applause and wolf-whistles, and the two of them seem to delight in dancing suggestively together wherever possible. The pair’s physical comedy during their respective trickery scenes is delightful, with Hiddleston’s attempts to hide himself with armfuls of pink confetti bringing the house down.

The production is high energy, high camp, and high fun-factor, motivated by a soundtrack of 90’s bangers, often sung by Mason Alexander-Park’s Margaret, accompanied by group dance numbers. That is, until a poignant switch in mood created by Claudio’s bitter condemnation of Hero at the altar for her alleged infidelity, egged on by Don John, played by Tim Steed. Steed brilliantly approaches the tricky John the Bastard plotline by showing himself consciously adopting the persona of a vaudevillian villain, complete with pantomime ‘mwah-hah-hah-hah’, in order to wreak havoc in Don Pedro’s court. His seemingly frivolous mischief, however, creates terrible consequences for Mara Huf’s Hero, whose speech in defence of her honour is powerfully resonant in a post Me Too world. This tricky scene, which can leave a bitter taste in the mouth of a modern audience when the couple reconcile, was expertly navigated: I was pleasantly surprised to find myself genuinely happy for Hero and Claudio when they reunite at the end of the play alongside the loved-up Beatrice and Benedick.

Jamie Lloyd’s Much Ado About Nothing is an absolute must-see if you’re a fan of Shakespeare, a fan of theatre, a fan of disco, a fan of Tom Hiddleston, a fan of pink… the list goes on.

By Izzi Strevens

Categories
Life writing, Creative writing and Performance

Unleashing Creativity: Undergraduate Creative Writing at Kings

Happy New Year to everyone at King’s Department of English! Over the festive holidays, Kings students have been hard at work on assignments, but they’ve also been developing their own unique projects, using the skills they’re honing through their studies of literature.

We were absolutely delighted to be contacted by Vaani, a first-year undergraduate studying English Literature at King’s College London. She shared with us some of her incredibly rich and vivid poetry, along with an insightful analysis and the personal story behind her work. So, settle in with a cup of tea and a biscuit, and prepare to be transported.

Love Echoed 

By Vaani Walia 

Rolls like sunset gazed on a moonlit hour arriving at break,

soon no sand be warm to keep,

when water under the moon is kept silent and tonight a little weak.

That tormenting voice shuns quiet and deep,

Love in embrace, Love in tonality kept and it silently speaks.

Sparing rejection for the night is young and hearts are weak.

For minds are full and eyes lull to sleep.

Barefoot we walked on shores now cold, dry and deep,

with minds restless and hearts, venom sedated weep,

nibbles on my shoulder thunders me weak.

Drawing me imperfect, love impersonates the desire to preach –

like a dandelion locket on a necklace to keep –

slurps me like a parched bird drinks beyond infinite reach.

Love rows me by declared sunsets, as morrow is broken into words said in admiration too stunned to speak,

across you land from a land of impersonating belief I am taken by the sign left enchanted and broken to sweep,

till nights grow young and weak,

makes me frail with acquaintance till lips are coloured in the tints of thee.

My eyes are lulled to merry sleeps, and love is more than a night’s relief.

“I am the shore and you the infinite sea.

Moon be our home, and sun be our loop of all breaths breathed.”

Inspiration:

What inspired me to write, Love Echoed, was the transcendence that love has and how everything around us is metaphorically present in one way or the other. Everything in this poem has everything to do with oneness. How there is a thread between all things that weave us together, from loving another soul to having the entirety of the world be a mirror of our love. Taking the moon, sun and seas as ideal images, my desire was to portray how love has the power to unite us to our surroundings. In a way it is healing and evolutionary, where you find yourself connected with not just yourself and your beloved but to the higher self as well. This poem in fact has a lot to do with the ideas of Sufi mysticism.

Like a Dove in Gilded Cage

By Vaani Walia 

Like a dove in a gilded cage,

You fly through all my awaiting glances.

I seek those sly advances of touch – a slow feathered gliding –

in my soul. I slowly tremble and shake,

For those counterfeit moments I play restless in my mind;

preaching to me joy of forgiveness,

a clear sincerity rakes.

I within thee speak when winds move no more.

I within me rage when your words don’t faintly fade.

I within me satiate desires held for nights longer than days.

I crave and carve nature’s turn, each palpable sane,

for in insanity you so adoringly rage.

When my lips don’t tremble with your name;

when in isolation, the loneliness fades.

When in unions, faith doesn’t shake,

when in hunger, love satiates.

When air between our lungs breathe –

I sigh in moments conventionally weak.

I within me fly innate

when doves in the cage hoover above an empty space.

I within me collapse my rage,

When your thought provokes devotion in isolated sage,

Like a dove in a gilded cage.

Inspiration

What inspired me to write Like a Dove in a Glided Cage, was the idea of devotion to someone with whom you can’t label anything, not because you are unsure of your relationship but because you are more than a label, more than a name. Where you can’t be with them but you only belong with them. To have everything yet nothing. This led to the name of this poem, Like a Dove in a Glided Cage. Where there is nothing around you that makes you fear anything, for you have loved so deeply you see no difference between your beloved and your God. Reading Sufi poets like Rumi, Shams and Yunus Emre I have found myself pick on their ideologies of love which have been the core reason for having myself write something both romantic and spiritual.

Thank you Vaani for sharing your fantastic poetry!

Categories
Critical Race Studies and Global Englishes Life writing, Creative writing and Performance Long Read

An Interview with Anthony Joseph: Afrofuturism, Black Surrealism, Sonic Revolution

By Samridhi Aggarwal, Esther de Bruijn and Anthony Joseph

The following interview with Anthony Joseph was conducted by Samridhi Aggarwal (Joint PhD Scholar with the National University of Singapore) on 5 December, 2022 in a seminar for the module Afrofuturism.[1]

The conversation covers several topics, which we’ve divided into sections for those who’d like to dip in and collect gems of insights on Afrofuturism, black surrealism, black stealth, the revolutionary force of music, and practicing writing into being. Anthony talks about his album The Rich Are Only Defeated When Running for Their Lives (2021) and his novel The African Origins of UFOs (2006), and we’ve reproduced the excerpts of the novel that he read on the day.

Categories
Insights Life writing, Creative writing and Performance

Psychosis: Brief Memoir of a PhD Student

By Nell Prince

Previous Creative Writing PhD student Nell Prince reflects on her experience in her first and second year at King’s College London.

I recently read Leonora Carrington’s harrowing account of her descent into madness, Down Below. It made me relive my own bout of psychosis during the second year of a PhD.