By Amalia Costa
The year is 1677, and Aphra Behn has gatecrashed her own play. Instead of a pre-scheduled performance of The Rover, Behn takes to the stage to tell the story of her life up until this point, in a one-woman show by Claire Amias, whose charismatic portrayal of Behn reveals a character study rich in humour and pathos.
Continue reading Review: The Masks of Aphra Behn by Claire Amias
By Subha Robert William
RashDash’s Oh Mother opens up with mess. Abi and Helen find themselves in a place of undoing. As they are left with just five minutes before the show starts, things around them are in disarray. Continue reading Oh Mother by RashDash, Soho Theatre (19th July-13th August 2022)
By Gaby Sambuccetti
Modern Languages, Literature and Culture Master’s student Gaby Sambuccetti reflects on winning this year’s Cosmo Davenport-Hines Poetry Prize. Gaby breaks down the motivations and mechanics behind her winning poem, ‘A Migrant in a Piece of Paper.’
A few months ago, I was seated on the same chair I am in right now, where I wrote a poem about migration which has recently won the 2022 Cosmo Davenport-Hines Prize at the Department of English Language and Literature at King’s College London.
