A Selection of Works by Ford Closely Related to Parade’s End:
The Good Soldier (London: John Lane, 1915)
When Blood is Their Argument: An Analysis of Prussian Culture (London: Hodder and Stoughton, 1915)
Between St. Denis and St. George: A Sketch of Three Civilisations (London: Hodder and Stoughton, 1915)
Zeppelin Nights, with Violet Hunt (London: John Lane, 1915)
The Trail of the Barbarians, translation of war pamphlet by Pierre Loti, L’Outrage des barbares (London: Longmans, Green, 1917 [actually published 1918])
On Heaven and Poems Written on Active Service (London: John Lane, 1918) [a selection from this volume can be found in Ford’s Selected Poems, ed. Max Saunders (Manchester: Carcanet, 1997), pp. 82-110
The Marsden Case (London: Duckworth, 1923)
Joseph Conrad: A Personal Remembrance (London: Duckworth, 1924)
No Enemy (New York: Macaulay, 1929); new edition, ed. Paul Skinner (Manchester: Carcanet, 2002)
It Was the Nightingale (London: William Heinemann, 1934)
The Correspondence of Ford Madox Ford and Stella Bowen, ed. Sondra J. Stang and Karen Cochran (Bloomington and Indianapolis: Indiana University Press, 1994)
War Prose, ed. Max Saunders (Manchester: Carcanet, 1999)
Critical Essays, Ed. Max Saunders and Richard Stang (Manchester: Carcanet Press, 2002)
Selected Criticism on Parade’s End:
W. H. Auden, ‘Il Faut Payer’, Mid-Century, no. 22 (February 1961), 3-10
Malcolm Bradbury, ‘The Denuded Place: War and Ford in Parade’s End and U. S. A.’, in Holger Klein, ed. The First World War in Fiction (London and Basingstoke: Macmillan, 1978), pp. 193-209
Malcolm Bradbury, ‘Introduction’, Parade’s End (London: Everyman’s Library, 1992)
Anthony Burgess, in The Best of Everything, ed. William Davis, (London: Weidenfeld and Nicolson, 1980), p. 97
Michela A. Calderaro, A Silent New World: Ford Madox Ford’s ‘Parade’s End’ (Bologna, CLUEB, 1993)
Ambrose Gordon, The Invisible Tent: The War Novels of Ford Madox Ford (Austin, Texas: University of Texas Press, 1964)
Robert Green, Ford Madox Ford: Prose and Politics (Cambridge: Cambridge University Press, 1981)
David Dow Harvey, Ford Madox Ford: 1873-1939: A Bibliography of Works and Criticism (Princeton: Princeton University Press, 1962)
Robert Holton, Jarring Witnesses: Modern Fiction and the Representation of History (Hemel Hempstead: Harvester Wheatsheaf, 1994)
Rita Kashner, ‘Tietjens’ Education: Ford Madox Ford’s Tetralogy’, Critical Quarterly, 8 (1966), 150-63
Thomas C. Moser, The Life in the Fiction of Ford Madox Ford (Princeton: Princeton University Press, 1980)
Max Saunders, Ford Madox Ford: A Dual Life (Oxford: Oxford University Press,
1996); volume 2
Saunders, ‘Introduction’, Parade’s End (London: Penguin, 2002)
Saunders, ‘Ford and European Modernism: War, Time, and Parade’s End’, in Ford Madox Ford and ‘The Republic of Letters’ ed. Vita Fortunati and Elena Lamberti, forthcoming
Melvin Seiden, ‘Persecution and Paranoia in Parade’s End, Criticism, 8:3 (Summer 1966), 246-62; reprinted in R. Cassell (editor), Ford Madox Ford: Modern Judgements (London: Macmillan, 1972)
Ann Barr Snitow, Ford Madox Ford and the Voice of Uncertainty (Baton Rouge: Louisiana State University Press, 1984)
Trudi Tate, Modernism, History and the First World War (Machester: Manchester University Press, 1998)
William Carlos Williams, review of Parade’s End, Sewanee Review, 59 (January-March 1951), 154-61; reprinted in Selected Essays (New York: Random House, 1951), pp. 315-23
Joseph Wiesenfarth, Gothic Manners and the Classic English Novel (Madison, Wisconsin: University of Wisconsin Press, 1989)