{"id":50,"date":"2019-10-07T14:50:11","date_gmt":"2019-10-07T13:50:11","guid":{"rendered":"https:\/\/blogs.kcl.ac.uk\/performance\/?page_id=50"},"modified":"2020-07-22T11:14:34","modified_gmt":"2020-07-22T10:14:34","slug":"rosa-andujar","status":"publish","type":"page","link":"https:\/\/blogs.kcl.ac.uk\/performance\/rosa-andujar\/","title":{"rendered":"Rosa And\u00fajar"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><strong>Dr Rosa And\u00fajar is Deputy Director and Lecturer in Liberal Arts at King\u2019s College London. She has co-edited two volumes which address her research expertise in both ancient Greek tragedy and its modern reception: <em>Paths of Song: The Lyric Dimension of Greek Tragedy<\/em> (2018) and <em>Greeks and Romans on the Latin American Stage<\/em> (2020).<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-secondary-background-color has-secondary-color is-style-wide\" \/>\n\n\n\n<h4 class=\"wp-block-heading\">Theatre and Performance Publications<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">Books <\/h5>\n\n\n\n<p class=\"has-small-font-size\"><strong><em>The Greek Trilogy of Luis Alfaro: Electricidad, Oedipus El Rey, Mojada<\/em>\u00a0(Methuen Drama, 2020)<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>(ed.)<em> Greeks and Romans on the Latin American Stage <\/em>(Bloomsbury, 2020)&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>(ed.) <em>Paths of Song: The Lyric Dimension of Greek Tragedy <\/em>(De Gruyter, 2018)<em>&nbsp;<\/em><\/strong><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Chapters and articles<\/h5>\n\n\n\n<p class=\"has-small-font-size\"><strong>\u2018Choral Mirroring in Euripides\u2019 <em>Phaethon<\/em>\u2019, in <em>Greek Drama V: Studies in the Theatre of the Fifth and Fourth Centuries BCE<\/em>, eds. C. W. Marshall and H. Marshall (Bloomsbury, 2020)<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>\u2018Sites of Performance and Circulation\u2019, in <em>A<\/em> <em>Cultural History of Tragedy in Antiquity, <\/em>ed. E. Wilson (Bloomsbury, 2019), 35-48 (with notes on pp. 155-163)<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>\u2018On Not Managing Mourning: The Reticent Chorus in Sophocles\u2019 <em>Antigone<\/em>\u2019, <em>NEARCO revista de antiguidade<\/em> Vol. 10 No. 2 (2018) [=<em>Teatro no Mundo Antigo: possibilidades e recep\u00e7\u00e3o<\/em>, ed. E. Miranda Cancela], 207-26<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>\u2018Sophocles\u2019 Antigone\u2019, in <em>Portrayals of Antigone in Portugal<\/em>, eds. C. Morais, L. Hardwick, and M. de F\u00e1tima Silva (Brill, 2017), 13-26&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\"><strong>\u2018Uncles <em>ex Machina<\/em>: Familial Epiphany in Euripides\u2019 <em>Electra<\/em>\u2019, <em>Ramus<\/em> Vol. 45, No. 2 (December 2016), 165-191<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-secondary-background-color has-secondary-color is-style-wide\" \/>\n\n\n\n<h5 class=\"wp-block-heading\">Performance and Artistic Collaborations<\/h5>\n\n\n\n<p class=\"has-small-font-size\"><strong><a href=\"https:\/\/ootwfestival.com\/#\">Out of the Wings Collective<\/a>, dedicated to theatre from the Global Iberias, and led by Prof. Catherine Boyle (SPLAS).<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-secondary-background-color has-secondary-color is-style-dots\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Dr Rosa And\u00fajar is Deputy Director and Lecturer in Liberal Arts at King\u2019s College London. She has co-edited two volumes which address her research expertise in both ancient Greek tragedy and its modern reception: Paths of Song: The Lyric Dimension of Greek Tragedy (2018) and Greeks and Romans on the Latin American Stage (2020). Theatre &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blogs.kcl.ac.uk\/performance\/rosa-andujar\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Rosa And\u00fajar&#8221;<\/span><\/a><\/p>\n","protected":false},"author":734,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-50","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/pages\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/users\/734"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":8,"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/pages\/50\/revisions"}],"predecessor-version":[{"id":616,"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/pages\/50\/revisions\/616"}],"wp:attachment":[{"href":"https:\/\/blogs.kcl.ac.uk\/performance\/wp-json\/wp\/v2\/media?parent=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}