{"id":103,"date":"2019-10-08T09:31:28","date_gmt":"2019-10-08T08:31:28","guid":{"rendered":"https:\/\/blogs.kcl.ac.uk\/performance\/?page_id=103"},"modified":"2019-10-08T09:31:28","modified_gmt":"2019-10-08T08:31:28","slug":"dr-craig-moyes","status":"publish","type":"page","link":"https:\/\/blogs.kcl.ac.uk\/performance\/dr-craig-moyes\/","title":{"rendered":"Dr Craig Moyes"},"content":{"rendered":"\n

Craig Moyes <\/strong>est directeur du Centre for Quebec and French-Canadian Studies dans la School of Advanced Study \u00e0 l\u2019universit\u00e9 de Londres. Il est \u00e9galement professeur \u00e0 King\u2019s College London o\u00f9 il enseigne les litt\u00e9ratures fran\u00e7aise et qu\u00e9b\u00e9coise. En 2012, il a publi\u00e9 Fureti\u00e8re\u2019s <\/em>Roman bourgeois and the Problem of Exchange: Titular Economies<\/em> chez Legenda (Oxford). Avec Yves Gingras (UQAM), il a \u00e9tabli et pr\u00e9sent\u00e9 une \u00e9dition de la correspondance secr\u00e8te sur la sexualit\u00e9 humaine que Marcelle Gauvreau avait adress\u00e9e au fr\u00e8re Marie-Victorin entre 1934 et 1944. Elle va para\u00eetre chez Bor\u00e9al en septembre 2019.<\/p>\n\n\n\n

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Theatre and Performance Publications<\/h4>\n\n\n\n

Nov. 1-4, 2017: (CQFCS\/KCL\/BFI\/University of Windsor) Four-day symposium\/event on Expo67 (https:\/\/online.liverpooluniversitypress.co.uk\/doi\/pdf\/10.3828\/jrs.2018.7<\/a>)<\/p>\n\n\n\n

Reinventing the Anatomy Theatre for Expo67: Robert Cordier, Montreal Medicine and the Atlantic Avant-garde<\/em>
October 10, 2018\u00a0 Steven Palmer<\/strong> (University of Windsor), Bush House SE Wing 2.10
A large-scale performance, including a caf\u00e9-concert and an interpretation\/reimagining of the Health Pavilion\u2019s \u2018Meditheatre\u2019 (see attached posters).. Co-hosted by The Centre for Quebec and French-Canadian Studies (IMLR, University of London) and followed by a wine reception.\u00a0<\/p>\n\n\n\n

The centerpiece of the Health pavilion at the 1967 Montreal world\u2019s fair was a work of avant-garde theatre and multi-screen cinema purporting to show the \u201cMiracles of Modern Medicine\u201d, as the show\u2019s title had it. Conceived by the New York-based poet and theatre and film director, Robert Cordier, and shot by John Palmer, a young filmmaker who had shown Warhol how to adapt his project to cinema, \u201cMiracles\u201d was both a huge hit with audiences and a dizzying spectacle that made 20,000 faint while watching. \u00a0Craig Moyes gave a talk exploring how Cordier\u2019s show reinvented for modern audiences a long-standing public and festive ritual that had been removed to the inner sanctums of medical schools and hospital surgery wards: the anatomy and surgery theatre. Craig explored the extraordinary avant-garde influences that went into the making of the show, as well as the enabling role of Montreal medical elites in its production.<\/p>\n\n\n\n

March 25, 2019: (CQFCS\/KCL) Ed Kemp (Rada) and Alexis Martin, \u2018Theatre in Translation\u2019<\/p>\n\n\n\n

The Qu\u00e9b\u00e9cois playwright, director and actor, Alexis Martin and the British playwright, director and translator, Edward Kemp will explore the challenges \u2013 and joys \u2013 of \u2018theatre in translation\u2019, understood not only in the obvious linguistic sense of transposing a text from one language to another, but also in the cultural sense of moving a theatrical experience written and performed within one set of conventions and assumptions to a space governed by an entirely different set. Hosted by Craig Moyes, Director, CQFCS. <\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Craig Moyes est directeur du Centre for Quebec and French-Canadian Studies dans la School of Advanced Study \u00e0 l\u2019universit\u00e9 de Londres. Il est \u00e9galement professeur \u00e0 King\u2019s College London o\u00f9 il enseigne les litt\u00e9ratures fran\u00e7aise et qu\u00e9b\u00e9coise. En 2012, il a publi\u00e9 Fureti\u00e8re\u2019s Roman bourgeois and the Problem of Exchange: Titular Economies chez Legenda (Oxford). Avec Yves Gingras (UQAM), il a \u00e9tabli et … <\/p>\n

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