{"id":101,"date":"2019-10-08T09:26:23","date_gmt":"2019-10-08T08:26:23","guid":{"rendered":"https:\/\/blogs.kcl.ac.uk\/performance\/?page_id=101"},"modified":"2020-07-22T10:36:47","modified_gmt":"2020-07-22T09:36:47","slug":"dr-daniele-vecchiato","status":"publish","type":"page","link":"https:\/\/blogs.kcl.ac.uk\/performance\/dr-daniele-vecchiato\/","title":{"rendered":"Dr Daniele Vecchiato"},"content":{"rendered":"\n

Dr Daniele Vecchiato<\/strong> is Marie Curie Research Fellow in the Department of German at King’s College London. He studied German, English and Comparative Literature in Venice, Marburg and Berlin before undertaking a bi-national PhD at the Ca\u2019 Foscari University of Venice and the Humboldt University of Berlin (2010-14). During his studies, he received funding from the German Academic Exchange Service (DAAD) and the Italian Ministry of Research and Education. Before coming to King\u2019s in January 2018 with a Marie Sk\u0142odowska-Curie Individual Fellowship, he carried out different research projects at the Humboldt University of Berlin, which were funded by a Humboldt Postdoc Scholarship (2014), a Fritz Thyssen Foundation Fellowship (2014-16) and a Gerda Henkel Foundation Fellowship (2017). His dissertation, Verhandlungen mit Schiller<\/em>, was awarded both the Ca\u2019 Foscari Research Prize and the Ravicini-Preis f\u00fcr Arbeiten zur Trivialliteratur in 2015.<\/p>\n\n\n\n

His research interests include: German Literature from the 18th Century to the Present, History and Literature, Law and Literature, Cultural Memory Studies, Translation Studies, Gender Studies and the dialectics between Highbrow and Lowbrow Culture<\/p>\n\n\n\n

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Theatre and Performance Publications<\/h4>\n\n\n\n

Research monograph<\/p>\n\n\n\n

Verhandlungen mit Schiller. Historische Reflexion und literarische Verarbeitung des Drei\u00dfigj\u00e4hrigen Kriegs im ausgehenden 18. Jahrhundert<\/em>, Wehrhahn, Hannover 2015, 396 pp.<\/p>\n\n\n\n

Editions of plays<\/p>\n\n\n\n

Gerhard Anton von Halem, Wallenstein. Ein Schauspiel<\/em>, ed. by Daniele Vecchiato, Wehrhahn, Hannover 2016, 120 pp. <\/p>\n\n\n\n

Urs Widmer, Top Dogs. Manager alla deriva<\/em>, ed. by Daniele Vecchiato, Mimesis, Milano 2012, 128 pp.<\/p>\n\n\n\n

Journal articles and book chapters<\/p>\n\n\n\n

\u201eIch bin Europa\u201c. Der Diskurs um Populismus, Migration und nachnationale Identit\u00e4t in Falk Richters <\/em>FEAR und <\/em>Safe Places, in: \u201eColloquia Germanica\u201c [accepted, forthcoming].<\/p>\n\n\n\n

Rhetorik des Widerspruchs und politische Dialektik in Schillers <\/em>Fiesko und <\/em>Wallenstein, in: Peter-Andr\u00e9 Alt \/ Stefanie Hundehege (eds.), Schillers Feste der Rhetorik<\/em>, de Gruyter, Berlin 2020 [accepted, forthcoming].<\/p>\n\n\n\n

Drammaturgie del potere nella tragedia schilleriana. I monologhi politici di Fiesco e Wallenstein<\/em>, in: Tatiana Korneeva (ed.), Le voci arcane. Palcoscenici del potere nel teatro e nell\u2019opera<\/em>, Carocci, Roma 2018, pp. 119-133.<\/p>\n\n\n\n

Wallenstein vor Schiller. Die literarische Darstellung des Generalissimus im sp\u00e4ten 18. Jahrhundert<\/em>, in: Birgit Emich \/ Dirk Niefanger \/ Georg Seiderer (eds.), Wallenstein. Mensch \u2013 Mythos \u2013 Memoria<\/em>, Duncker & Humblot, Berlin 2018, pp. 319-335.<\/p>\n\n\n\n

Eine \u201el\u00e4cherliche Fratze\u201c? Zur Bedeutung und Funktion des astrologischen Motivs in literarischen Wallenstein-Darstellungen des sp\u00e4ten achtzehnten Jahrhunderts<\/em>, in: \u201eJahrbuch der deutschen Schillergesellschaft\u201c 59 (2015), pp. 87-107<\/p>\n\n\n\n

Der Drei\u00dfigj\u00e4hrige Krieg als transversales Thema. Schillers <\/em>Wallenstein im Dialog mit der (Trivial-)Literatur des sp\u00e4ten 18. Jahrhunderts<\/em>, in: Anne Feler \/ Raymond Heitz \/ G\u00e9rard Laudin (eds.), Dynamik und Dialektik von Hoch- und Trivialliteratur im deutschsprachigen Raum im 18. und 19. Jahrhundert \/ Dynamique et dialectique des litt\u00e9ratures \u2039noble\u203a et \u2039triviale\u203a dans les pays germanophones aux XVIIIe et XIXe si\u00e8cles \u2013 1. Die Dramenproduktion \/ La production dramatique<\/em>, K\u00f6nigshausen & Neumann, W\u00fcrzburg 2015, pp. 161-180.
– \u201eMein Fleisch is oisgetoischt af Geld!\u201c Riverberi shakespeariani e il corpo dell\u2019ebreo orientale nell\u2019opera <\/em>Der Kaufmann von Berlin di Walter Mehring<\/em>, in: \u201eIl Confronto Letterario\u201c 56 (2011), pp. 305-333.<\/p>\n\n\n\n

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Daniele collaborated with CUT Shylock in Venice (www.cut.it<\/a>) for the translation and performance of Urs Widmer\u2019s Top Dogs in 2008\/2009. He edited and published the Italian translation and was involved in public readings (and performances) with the author in Venice and Milan in 2012 and 2013. The play was then turned into a radio drama and is still staged in Italy and Italian-speaking Switzerland in Daniele’s translation.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dr Daniele Vecchiato is Marie Curie Research Fellow in the Department of German at King’s College London. He studied German, English and Comparative Literature in Venice, Marburg and Berlin before undertaking a bi-national PhD at the Ca\u2019 Foscari University of Venice and the Humboldt University of Berlin (2010-14). During his studies, he received funding from … <\/p>\n

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