A Selection of Works by Ford Closely Related to Parade\u2019s End:<\/p>\n
The Good Soldier (London: John Lane, 1915)
\nWhen Blood is Their Argument: An Analysis of Prussian Culture (London: Hodder and Stoughton, 1915)
\nBetween St. Denis and St. George: A Sketch of Three Civilisations (London: Hodder and Stoughton, 1915)
\nZeppelin Nights, with Violet Hunt (London: John Lane, 1915)
\nThe Trail of the Barbarians, translation of war pamphlet by Pierre Loti, L’Outrage des barbares (London: Longmans, Green, 1917 [actually published 1918])
\nOn Heaven and Poems Written on Active Service (London: John Lane, 1918) [a selection from this volume can be found in Ford\u2019s Selected Poems, ed. Max Saunders (Manchester: Carcanet, 1997), pp. 82-110
\nThe Marsden Case (London: Duckworth, 1923)
\nJoseph Conrad: A Personal Remembrance (London: Duckworth, 1924)
\nNo Enemy (New York: Macaulay, 1929); new edition, ed. Paul Skinner (Manchester: Carcanet, 2002)
\nIt Was the Nightingale (London: William Heinemann, 1934)
\nThe Correspondence of Ford Madox Ford and Stella Bowen, ed. Sondra J. Stang and Karen Cochran (Bloomington and Indianapolis: Indiana University Press, 1994)
\nWar Prose, ed. Max Saunders (Manchester: Carcanet, 1999)
\nCritical Essays, Ed. Max Saunders and Richard Stang (Manchester: Carcanet Press, 2002)<\/p>\n
Selected Criticism on Parade\u2019s End:<\/p>\n
W. H. Auden, ‘Il Faut Payer’, Mid-Century, no. 22 (February 1961), 3-10
\nMalcolm Bradbury, \u2018The Denuded Place: War and Ford in Parade’s End and U. S. A.\u2019, in Holger Klein, ed. The First World War in Fiction (London and Basingstoke: Macmillan, 1978), pp. 193-209
\nMalcolm Bradbury, ‘Introduction’, Parade’s End (London: Everyman’s Library, 1992)
\nAnthony Burgess, in The Best of Everything, ed. William Davis, (London: Weidenfeld and Nicolson, 1980), p. 97
\nMichela A. Calderaro, A Silent New World: Ford Madox Ford\u2019s \u2018Parade\u2019s End\u2019 (Bologna, CLUEB, 1993)
\nAmbrose Gordon, The Invisible Tent: The War Novels of Ford Madox Ford (Austin, Texas: University of Texas Press, 1964)
\nRobert Green, Ford Madox Ford: Prose and Politics (Cambridge: Cambridge University Press, 1981)
\nDavid Dow Harvey, Ford Madox Ford: 1873-1939: A Bibliography of Works and Criticism (Princeton: Princeton University Press, 1962)
\nRobert Holton, Jarring Witnesses: Modern Fiction and the Representation of History (Hemel Hempstead: Harvester Wheatsheaf, 1994)
\nRita Kashner, ‘Tietjens’ Education: Ford Madox Ford’s Tetralogy’, Critical Quarterly, 8 (1966), 150-63
\nThomas C. Moser, The Life in the Fiction of Ford Madox Ford (Princeton: Princeton University Press, 1980)
\nMax Saunders, Ford Madox Ford: A Dual Life (Oxford: Oxford University Press,
\n1996); volume 2
\nSaunders, \u2018Introduction\u2019, Parade\u2019s End (London: Penguin, 2002)
\nSaunders, \u2018Ford and European Modernism: War, Time, and Parade\u2019s End\u2019, in Ford Madox Ford and \u2018The Republic of Letters\u2019 ed. Vita Fortunati and Elena Lamberti, forthcoming
\nMelvin Seiden, ‘Persecution and Paranoia in Parade’s End, Criticism, 8:3 (Summer 1966), 246-62; reprinted in R. Cassell (editor), Ford Madox Ford: Modern Judgements (London: Macmillan, 1972)
\nAnn Barr Snitow, Ford Madox Ford and the Voice of Uncertainty (Baton Rouge: Louisiana State University Press, 1984)
\nTrudi Tate, Modernism, History and the First World War (Machester: Manchester University Press, 1998)
\nWilliam Carlos Williams, review of Parade\u2019s End, Sewanee Review, 59 (January-March 1951), 154-61; reprinted in Selected Essays (New York: Random House, 1951), pp. 315-23
\nJoseph Wiesenfarth, Gothic Manners and the Classic English Novel (Madison, Wisconsin: University of Wisconsin Press, 1989)<\/p>\n","protected":false},"excerpt":{"rendered":"
A Selection of Works by Ford Closely Related to Parade\u2019s End: The Good Soldier (London: John Lane, 1915) When Blood is Their Argument: An Analysis of Prussian Culture (London: Hodder and Stoughton, 1915) Between St. Denis and St. George: A Sketch of Three Civilisations (London: Hodder and Stoughton, 1915) Zeppelin Nights, with Violet Hunt (London:… More Ford – Biblography<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":12,"menu_order":40,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":1,"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":47,"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/pages\/46\/revisions\/47"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/pages\/12"}],"wp:attachment":[{"href":"https:\/\/blogs.kcl.ac.uk\/maxsaunders\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}