{"id":151,"date":"2016-01-25T12:27:08","date_gmt":"2016-01-25T12:27:08","guid":{"rendered":"http:\/\/blogs.kcl.ac.uk\/english\/?p=151"},"modified":"2018-10-15T21:13:40","modified_gmt":"2018-10-15T20:13:40","slug":"151","status":"publish","type":"post","link":"https:\/\/blogs.kcl.ac.uk\/english\/2016\/01\/25\/151\/","title":{"rendered":"Sitting at a table in Berlin, thinking about Aretha Franklin"},"content":{"rendered":"<p>By Penny Newell, PhD\u00a0student in the English Department<\/p>\n<p>Ever since I attended one of Lois Weaver\u2019s <em><a href=\"http:\/\/www.thisisliveart.co.uk\/blog\/long-table-on-live-art-and-feminism-with-lois-weaver\">Long Tables<\/a>\u00a0<\/em>on\u00a0Live Art and Feminism, I have been paying a special attention to tables. Tables structure conversations. Tables anchor discoveries. Tables form communities. Tables ground critique.<\/p>\n<p>In Weaver\u2019s <em>Long Table,<\/em> the table is a centrepiece of a performed conversation, in which you can choose whether or not to participate.\u00a0It\u2019s an amazingly simple yet effective performance work. It makes you re-think your critical relationship with tables. It makes you ask: Who sits at <em>my<\/em> table? Who <em>can <\/em>sit at my table? Who <em>listens<\/em>? Who <em>speaks<\/em>?<!--more--><\/p>\n<p><strong><a href=\"http:\/\/blogtest.kcl.ac.uk\/englishtest\/wp-content\/uploads\/sites\/11\/2015\/11\/IMG_3445.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-41 alignright\" src=\"http:\/\/blogtest.kcl.ac.uk\/englishtest\/wp-content\/uploads\/sites\/11\/2015\/11\/IMG_3445-300x224.jpg\" alt=\"IMG_3445\" width=\"300\" height=\"224\" \/><\/a><\/strong><\/p>\n<blockquote><p>re-gathering, at the\u00a0un-tabled margin of our conversation, re-anchoring us to the imagined\u00a0city<\/p><\/blockquote>\n<p>On 19<sup>th<\/sup>-21<sup>st<\/sup> of November, I co-hosted a three-day event at Humboldt-Universit\u00e4t in Berlin. The event was run through the reading\u00a0group\u00a0<a href=\"https:\/\/thisiscitycentric.wordpress.com\/past\/\">City-Centric<\/a>, which I co-convene with Julia Braga-Neves. Challenging the ways in which\u00a0urban\u00a0geographies are gendered, and the ways in which these gendering structures are upheld through\u00a0metaphors, concepts, maps, poems, films and social relations, we spent three days convening around the theme of\u00a0<strong>Sexing and Gendering Urban Spaces<\/strong>. We called this event a \u2018workshop\u2019 because we wanted to move away from the conference table arrangement, of speakers and listeners. We wanted something more discursive \u2013 closer to a seminar, perhaps, where we might open ideas and materials to creative\u00a0readings.<\/p>\n<p>In actual fact, we began this \u2018workshop\u2019 with a walking tour, doing away with the table altogether.<\/p>\n<p>The tour took in the area of Mitte. Iris Wachsmuth led a group of 30 MA students, from the Literature programme at Humboldt-Universit\u00e4t, and a handful of PhD students from King\u2019s and Humboldt. She was their anchor into Mitte \u2013 indexing its architecture and streets from a gender and postcolonial perspective. Much\u00a0like how a table organises a conversation.<\/p>\n<p><iframe title=\"City-Centric (Korrigiert): Sexing and Gendering of Urban Spaces\" src=\"https:\/\/e.issuu.com\/embed.html?u=kingsartshums&#038;d=flyer_city-centric__korrigiert_\" style=\"border:none; width: 580px; height: 445px;\" allow=\"clipboard-write,allow-top-navigation,allow-top-navigation-by-user-activation,allow-downloads,allow-scripts,allow-same-origin,allow-popups,allow-modals,allow-popups-to-escape-sandbox,allow-forms\"  allowfullscreen=\"true\"><\/iframe><\/p>\n<p>This beginning before beginning had a magical effect. On the Saturday afternoon, we found ourselves sitting around tables forming a square,\u00a0in a room of\u00a0glass and stark white walls. As is the way with research events, these tables were strewn with coffee cups and half-eaten biscuits. They were scattered with materials: notebooks, pens, a beaten-up French-language edition of Preciado\u2019s\u00a0<em>Testo Junkie<\/em>, and an annotated zine by Brooklynite poet Tommy Pico, <a href=\"https:\/\/twitter.com\/heyteebs?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">@heyteebs<\/a>.<\/p>\n<h3 style=\"text-align: right\"><img loading=\"lazy\" decoding=\"async\" class=\" size-medium wp-image-42 alignleft\" src=\"http:\/\/blogtest.kcl.ac.uk\/englishtest\/wp-content\/uploads\/sites\/11\/2015\/11\/IMG_3443-300x224.jpg\" alt=\"IMG_3443\" width=\"300\" height=\"224\" \/>\u2018I\u2019m going to be so sad when Aretha Franklin dies\u2019, @heyteebs<\/h3>\n<p>Looking around, I\u00a0could see people fading into and out of listening (as is often the way with research events). Yet there was no effort to hide this state of distraction. This had instead become our\u00a0accepted mode of critique. \u00a0We were all here, but we needn\u2019t have been. We could speak, be present, but we needn\u2019t do or be so to exist here. There was a sense in which\u00a0those who were drifting off were merely re-gathering, at the\u00a0un-tabled margin of our conversation, re-anchoring us to the imagined, gendered and sexed city, beyond the window.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Penny Newell is a poet and PhD researcher in the Department of English at King\u2019s College London. She co-convenes City-Centric urban studies reading group with J\u00falia Braga Neves (King\u2019s\/Humboldt-Universit\u00e4t). The reading group convenes for talks, seminars, screenings and conferences at sporadic intervals. For more information, or to be added to our mailing list, please email us at: penny.newell@kcl.ac.uk and julia.braga-neves@kcl.ac.uk.\u00a0<\/em><\/p>\n<p><em>&#8216;I&#8217;m going to be so sad when Aretha Franklin dies&#8217; is a line taken from &#8216;nature poem&#8217;, by Tommy Pico; it served as the title and basis\u00a0of Penny&#8217;s presentation in Berlin. Tommy Pico was the\u00a0<a href=\"http:\/\/queerartmentorship.org\/2013-fellows\/#pico\" target=\"_blank\">Queer\/Art\/Mentors inaugural fellow<\/a>, <a href=\"http:\/\/www.lambdaliterary.org\/writers-retreat\/2013-writers-retreat-fellows\/\" target=\"_blank\">2013 Lambda Literary fellow in poetry,<\/a>\u00a0and has published in\u00a0<a href=\"http:\/\/bombmagazine.org\/article\/7242\/\">BOMB Magazine<\/a>, <a href=\"https:\/\/www.guernicamag.com\/poetry\/thems\/\">Guernica<\/a>\u00a0and\u00a0<a href=\"http:\/\/pankmagazine.com\/2014\/07\/07\/tommy-picos-tattoos-tour\/\">PANK.<\/a>\u00a0Find him at\u00a0<a href=\"http:\/\/heyteebs.tumblr.com\/\">http:\/\/heyteebs.tumblr.com\/<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Penny Newell, PhD\u00a0student in the English Department Ever since I attended one of Lois Weaver\u2019s Long Tables\u00a0on\u00a0Live Art and Feminism, I have been paying a special attention to tables. Tables structure conversations. Tables anchor discoveries. Tables form communities. Tables ground critique. In Weaver\u2019s Long Table, the table is a centrepiece of a performed conversation, [&hellip;]<\/p>\n","protected":false},"author":60,"featured_media":155,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,2],"tags":[19,42,45,44,46,43],"class_list":["post-151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-20th-21st-centuries","category-gender","tag-feminism","tag-heyteebs","tag-humboldt-universitat","tag-preciado","tag-queer-urban-studies","tag-tommy-pico"],"_links":{"self":[{"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/posts\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/users\/60"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":5,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/posts\/151\/revisions"}],"predecessor-version":[{"id":157,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/posts\/151\/revisions\/157"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/media\/155"}],"wp:attachment":[{"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.kcl.ac.uk\/english\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}