The Department of Digital Humanities (DDH) currently has opportunities for academics in marking MA dissertations. The dissertations are covering research in areas such as digital platforms and social media, critique of digital economy, digital humanities and digital asset management and are 15,000 words long. The marking is starting now and feedback and marks are due to be back at the beginning of November.
First marking and second marking are twinned, so a unit of first marking also comes with a unit of second marking. The payment is – 4 hours payment per dissertation for first, and 2 hours for second marking plus. The payment is £21.27 per hour. Markers need to have a PhD or equivalent expertise. They also need the right to work in the UK.
If you are willing to take on 5/5 or 10/10 or 15/15 dissertations for marking or know of someone who could be interested, please get in touch with mercedes DOT bunz AT kcl.ac.uk.
The series will start with a workshop with Conor McKeown, followed by talks with Feng Zhu, Mercedes Bunz and Zeena Feldman. If you’re interested in joining Conor’s workshop you can RSVP below, and you can contact Doug and Carly if you’re interested in joining for the talks.
Workshop: Dr. Conor McKeown, Tuesday, October 5, 5pm BST (“Virtual World-Building in Unity (C#)). RSVP here!
Lecture: Dr. Feng Zhu, Wednesday, October 20, 5.30pm BST
Lecture: Dr. Mercedes Bunz, Friday, November 12, 5pm GMT (“Creative AI as a Critical Technical Practice: Inquiring the Backend of Machine Learning Artworks”)
Lecture: Dr. Zeena Feldman, Thursday, December 2, 3pm GMT (“Quitting Digital Culture: Rethinking Agency in a Beyond-Choice Ontology”)
We’re delighted to announce that Joanna Zylinska has been appointed as Professor of Media Philosophy and Critical Digital Practice in the Department of Digital Humanities.
Professor Zylinska is a writer, lecturer, artist and curator, working in the areas of digital technologies and new media, ethics, photography and art. Prior to joining King’s in 2021, she worked for many years at Goldsmiths, University of London, including as Co-Head of its Department of Media, Communications and Cultural Studies. She has held visiting positions as Guest Professor at Shandong University in China, Winton Chair Visiting Scholar at the University of Minnesota, US, and Beaverbrook Visiting Scholar at McGill University in Canada.
Zylinska is the author of eight books – most recently, AI Art: Machine Visions and Warped Dreams (Open Humanities Press, 2020, open access), The End of Man: A Feminist Counterapocalypse (University of Minnesota Press, 2018, open access) and Nonhuman Photography (MIT Press, 2017). Her work has been translated into Chinese, French, German, Norwegian, Polish, Portuguese, Russian, Spanish and Turkish. Zylinska combines her philosophical writings with image-based art practice and curatorial work. In 2013 she was Artistic Director of Transitio_MX05 ‘Biomediations’: Festival of New Media Art and Video in Mexico City.
Professor Marion Thain, Executive Dean of the Faculty of Arts and Humanities comments:
The King’s powerhouse in Digital Humanities is going from strength to strength, and we are delighted to welcome Joanna Zylinska (whose expertise spans digital technologies, new media, art, ethics and photography) as Professor of Media Philosophy and Critical Digital Practice. Her appointment cements DDH as a world-leading centre for the study of the contemporary Digital Humanities.
Professor Stuart Dunn, Head of the Department of Digital Humanities says:
I am delighted to welcome Joanna to DDH. She brings a distinguished record of scholarship and academic leadership in digital arts, AI and new media which will expand and enrich the Department across our research, our teaching programmes and our service to society and London. We are thrilled that she has joined us.
Congratulations to Kajsa Lonrusten, a recent graduate from our Digital Culture BA, who recently won Best Thesis Prize for her dissertation on “The Circulation of Organised Climate Change Denial on Facebook”.
The dissertation drew on approaches from digital methods and digital journalism modules that she attended in order to explore the circulation of material associated with DeSmog Blog’s Climate Disinformation Database.
Kajsa says she plans to build on this work in her graduate studies:
“I am surprised and extremely thankful that my dissertation was given this prize! Although it took a lot of hard work and many late nights, I thoroughly enjoyed the work I did while writing the thesis and I learnt a lot from it. I took a risk doing something slightly different and using some very interesting methods, and, thanks to a lot of help from my supervisor, it worked out in the end and it made the process a lot more fun. I will take this experience and knowledge with me into my next chapter as I start my Master’s in Journalism, where I hope to put them to good use when the time comes for me to write a Masters thesis.”
As part of a pilot on “engaged research led teaching” at King’s College London, undergraduate and graduate students have contributed to projects developed with journalists, media organisations and non-governmental organisations around the world.
The Department of Digital Humanities at King’s College London is looking for hourly paid lecturers to teach introductory computational skills on the weekly seminars of our digital culture modules in person at our Strand campus. In addition to computational skills, we also have some modules open for which a conceptual knowledge of machine learning and data handling is sufficient.
Coding and the Humanities
2 x seminar groups open
Coding skills required
The Cultural Web: Building a Humanities Website
3 x seminar groups open
Coding skills required
6 x seminar groups open
Coding skills required
For the modules below, insight into the computational concept of machine learning and/or data handling are sufficient.
Artificial Intelligence and Society
4 x seminar groups
3 x seminar groups
The teaching will be in the form of weekly recurring seminars, in which students practically train the lectures given before by DDH colleagues; the colleagues will also help you with planning the seminar teaching.
Term1 dates for teaching weekly in person are: Monday, 27 September to Monday, 10 December 2021 with a reading week in between.
Payment: besides teaching the seminar(s), we also factor in preparation (2h) per seminar, and office hours/emails (1h) per seminar.
Term1 dates for teaching: Actual seminar teaching begins in the week starting Monday, 27 September 2021 and runs to Friday, 10 December 2021 with ‘free’ reading week in between. Seminars accompany the lectures given each week by the module leader. Seminars occur weekly.
Timetable scheduling is done centrally so we cannot guarantee which day exactly apart from that they will be weekdays between 8am and 19h.
Please contact mercedes DOT bunz AT kcl.ac.uk if you are interested with a short CV outlining why you have expertise in the modules. You will need the right to work in the UK. Also feel free to forward this blogpost if anyone comes to mind.
What is the role and significance of digital long-form content aggregators in contemporary journalism? This article contends that they are an important, emerging object of study in journalism research and provides a digital methods analysis and theoretical engagement with Longform.org, one of the most prominent long-form content aggregators on the web. We propose that Longform.org can be understood as leveraging the datafication of news content in order to valorize the long tail of archived material. Drawing on scraped data from the archive, we undertake an in-depth analysis into the practices of long-form aggregators. While Longform.org exhibits a degree of curatorial diversity, legacy news media outlets tend to be featured more frequently. Accessibility of news media archives is one of the most relevant factors for being featured by Longform.org. Our analysis demonstrates the relevant role of smaller digital-only publications, which provide a unique mix of sources. Through a network analysis of scraped tags we explore the composition of themes, including personal, world-political, celebrity, technological and cultural concerns. The data and curatorial practices of such long-form aggregators may be understood as an area of contemporary news work that conditions which past perspectives are more readily available, experienceable and programmable on the web.
Our Department of Digital Humanities is seeking to appoint two Lecturers (Academic Education Pathway) in Digital Innovation Management to contribute to its teaching in this and related areas. The post-holder will have a sound knowledge of the key concepts, theories, debates and challenges in digital innovation management, information systems, algorithmic management and digital transformation, with a PhD in a relevant area.
We are looking for a range of expertise to support our fast-expanding programmes, which may include work experience in the sector of study. We are particularly interested in the following areas to support our teaching: any aspect of digital innovation; information systems; digital platforms; algorithmic management; and critical studies of technology. Furthermore, candidates with the potential for developing collaborations and knowledge exchange activities with commercial, industrial or third sector bodies are especially welcome.
How do artists use the backend of machine learning in their artworks? How is Machine Learning transforming the making of meaning? These were the questions brought about in the Creative AI Lab’s presentation during the National College of Art and Design, Dublin (NCAD) Digital Culture Webinar Series hosted by Elaine Hoey (New Media Artist) and Dr. Rachel O’Dwyer (Lecturer in Digital Cultures, NCAD).
Titled ‘Inquiring the Backend of Machine Learning Artworks: Making Meaning by Calculation’, the Creative AI Lab’s Eva Jäger (Associate Curator of Serpentine Galleries Arts Technologies) and Mercedes Bunz (Senior Lecturer in Digital Society, KCL) presented their research (video here) into how artists use the backend of Machine Learning (ML) to develop their work. Their presentation was followed by Zac Ionnidis’, who spoke about Forensic Architecture’s use of AI to automate parts of human rights monitoring research.
The research of the Creative AI Lab, a collaboration of the Department of Digital Humanities, KCL and the Serpentine Gallery, surfaced particular ways in which artists make use of machine learning in order to create models for engagement with these new technologies. Mercedes Bunz outlined some of the inspirations for the research, citing Zylinska’s book ‘AI Art: Machine Visions and Warped Dreams’ and Søren Pold’s ‘The Metainterface’. Further on, Eva Jäger explained why it was important to research the artistic usage of the back-end of ML. She elaborated on what constituted the back-end and said that this work often leads to an “alternate output which includes building or developing software and publishing/sharing research”.
Mercedes Bunz carried forward the presentation by arguing against the idea that humans are the only ones that can create meanings referring to work by Stuart Hall, who developed a more open approach when researching the encoding and decoding of meaning regarding television programs.Continue reading “Creative AI: Models of Artistic Practice”
A very warm welcome to all of our new members of staff at the Department of Digital Humanities! Joining us ahead of the next academic year we have:
Andrea Ballatore, Lecturer in Social and Cultural Informatics
Barbara McGillivray, Lecturer in Digital Humanities and Cultural Computation
Daniel Chavez Heras, Lecturer in Humanistic and Social Computing Education
Laura Gibson, Lecturer in Digital Content Management Education
Mike Duggan, Lecturer in Digital Culture, Society and Economy Education
Niki Cheong, Lecturer in Digital Culture and Society
Stuart Dunn, Reader and Head of the Department of Digital Humanities, comments:
“Our Department represents a broad range of digitally-driven teaching and research into the human record across numerous fields and disciplines; and also service, which draws on our traditions of excellence in the Digital Humanities to help society deal with the many challenges of the contemporary digital world. It is therefore my pleasure to welcome our new colleagues to DDH, who will help us build in all these areas, and consolidate and expand our strengths in the future”.
You can find out more about each of them in their bios below.